Word: charcoaling
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...course, there were some individual works of merit that managed to stand out, including Kara Walker’s recent aggressive charcoal drawings (Brent Sikkema, New York); Serse’s stunning pencil drawing (Galleria Continua, San Gimignano); Patrick Jacob’s viewing lens “The Ortho Rooms, Dandelions” (Pierogi, Brooklyn); and Jee Sung Lee’s striking black and white ink jet print “Connect” (Carl Hammer Gallery, Chicago). Perhaps unfortunately, the Armory Show’s environment of an art fair is less than a conducive setting...
...respected Japanese record exec to scout for new pop and rock acts. Ripplewood spun off Denon and other non-core assets and slashed the staff. Even the building looks snazzier, with Sheryl Crow on video screens in the lobby alongside posters of young artists like Kiyoshi Hikawa and Charcoal Filter...
...most prominent spot in the gallery is occupied by Self-Portrait (1998), done by Susan Hauptman (VES 11abr, “Figure Drawing”). In her large charcoal and pastel drawing, Hauptman, nearly bald, with a blank and yet paradoxically penetrating stare, holds a cake out in front of her in her left hand. Above the cake an upside-down face (also ostensibly Hauptman’s) hangs in profile, creating a somewhat schizophrenic effect for the viewer, simultaneously startling and intriguing. The scalloped, fancy plate and the elaborately detailed icing on the cake, rimmed with pink and edged...
...Animation Studio” and 156cr, “Animation Workshop”), has a distinct drawing style that consists of careful, exquisite crosshatching. On the far wall of the space is a collection of his works, which come in all sizes, each carefully framed. Some are done in charcoal, pen and ink or pencil (only a few in color), while others look like etchings...
...cardboard engraving with monotype) are both full of strange perspectives and vaguely threatening jaws with toothy mouths. The other “Untitled” (1998, soil on paper) is sluggish, almost bogged down with the weight of dirt that has been splattered on the paper over broad charcoal lines. Brookner’s work, while intense and visceral, is challenging to connect with: her collages are like hieroglyphics...