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...state-of-the-art animation also allows for some reinvention of the classic Wonderland characters, which opens doors to some major differences. However, most of the traits that make certain characters??like the infamous Cheshire Cat—such distrustful personas are lost in this film. They seem to have toned down their trickery and traded it in for a more helpful, family-friendly approach to Alice’s strife. Wordplay and clever puns are still present, but the ever-cooperative actions of Alice’s companions do not match their tangled, devious verbal logic...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Alice in Wonderland | 3/9/2010 | See Source »

Some movies have unfaithful endings—the kind that don’t follow from their characters?? motivations, prior events or clues, and couldn’t possibly have been predicted by viewers at any point in the storyline. Imagine if “Twelve Angry Men” had ended with the one obstinate juror pulling out an M-16 and mowing down his uncooperative colleagues. “The Good Guy” is kind of like that, except it’s not just the ending...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: The Good Guy | 3/9/2010 | See Source »

This alteration to the soprano’s text played a crucial role in demonstrating the communicative difficulties between the opera’s two characters??how do two people interact when they are in entirely separate worlds? Parra offered a succinct answer: “It was clear you couldn’t do this with typical classical music...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Opera Boldly Goes to Uncharted Dimension | 3/2/2010 | See Source »

...DeLillo, the tension between individual consciousness and history, inner reality and outer reality, is at the core of his characters?? existences. “We’re a crowd, a swarm,” Elster says. “We think in groups, travel in armies. Armies carry the gene for self-destruction. One bomb is never enough. The blur of technology, this is where the oracles plot their wars. Because now comes the introversion. Father Teilhard knew this, the omega point...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: 'Point Omega' Explores Complexity and Consciousness | 2/23/2010 | See Source »

...earliest and best examples of the use of sand in animation, as she creates an ethereal, shapeshifting set of grainy black and white characters. Though its graphics appear rudimentary to today’s eye, Leaf’s film remains visually captivating. Leaf constantly recreates her characters?? forms, faces, and even species; in one scene, a wolf eats a bird that later morphs into an alternatively smiling and frowning moon...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: A 'Frame by Frame' History | 2/9/2010 | See Source »

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