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English 160, "Drama Since Ibsen," twice outgrew its assigned lecture halls, and finally lodged in Sanders Theatre, making Sanders to lecturers what the Palace was to Vaudeville. The reason for 160's sudden sprouting was Robert Chapman, Assistant Professor of English. His intense interest in things theatrical has drawn both dilletante and serious student with equal force...

Author: By Robert J. Schoenberg, | Title: The Genial Hermit | 5/5/1953 | See Source »

Except for Sanders, Chapman has always been on most intimate terms with the theatre. President of Princeton's Triangle Club, he wrote their annual show in his senior year, and remembers it sketchily as being "no better or worse than most--just abysmal." As he acted in many college productions, his interest in the theatre grew, but, receiving no Broadway offers on graduation, he sequestered himself as an instructor at the Berkshire School until he joined Naval Intelligence...

Author: By Robert J. Schoenberg, | Title: The Genial Hermit | 5/5/1953 | See Source »

...wrote the first draft of Billy Budd. Neither remembers who first suggested it since both had specialized in Melville as undergraduates. After the Experimental Theatre produced the play in '49, they rewrote it for an interested Broadway producer. "We did it in six days over a barrel of Martinis," Chapman remembers with a contented grin. "God, what a wonderful time...

Author: By Robert J. Schoenberg, | Title: The Genial Hermit | 5/5/1953 | See Source »

...experience with popular theatre taxes added venom to his lecture style. Bitterly sarcastic to everything he considers mediocre on the stage, he damns the famous and obscure with fine impartiality, saving complete admiration only for Shaw. But despite the vigorous showmanship of his lectures, Chapman is no hardy extrovert. Only a small group of undergraduates can claim more than a mild acquaintance with him. In fact, his tendency to stay apart has given one colleague the false impression that his favorite amusement in the exercise line is swimming. A friend on the team says it's a cinch that...

Author: By Robert J. Schoenberg, | Title: The Genial Hermit | 5/5/1953 | See Source »

...Chapman and Louis Coxe, co-authors of the play, used only two sets, but they are totally different, and there are six scene changes. When the curtain rises, the General's office is seen. The script says ". . . windowless, blank, austere walls. Sense of claustrophobia." Herrey achieved the desired effect by the use of a shallow stage and high ceiling...

Author: By Richard H. Ullman, | Title: Revolving Stage Captures Nervous Pace of Chapman Drama | 4/30/1953 | See Source »

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