Word: channelized
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Yankee Monet. The world became permeable. Patterns, arcs, straight lines, enclosures and tangencies now became the syntax of Kelly's formal language, in painting as in sculpture. He did not, in short, start from geometry. Thus Relief with Blue, 1950, whose flaring curves channel the eye into a pale blue slot like a narrow doorway, was suggested by the drapery of a set for Jean-Louis Barrault's production of Hamlet, which Kelly saw in Paris. Other paintings evolved from sketches Kelly made of arches reflected in the Seine, of water ripples, or of shadows on the metal...
...nights a week at 9:30, Charlie Douglas sounds two beeps on a truck horn, and thousands of truck drivers on the road all over the country cock an ear. For the next 7½ hours, over WWL, a clear-channel New Orleans radio station at 870 on the dial, they can hear not only country music but business information that could be vital. Two years ago, Disc Jockey Douglas-who has never driven a truck, but was fascinated by the big rigs that rolled through his boyhood home of Ludowici, Ga. -sold WWL on an all-night program beamed...
...military provides an effective channel of upward mobility for poor people and minorities...
...black and white, loud brass background music, offbeat camera angles, and is something of a low-budget epic, the story of a middle class girl searching for her father on a cross-country pilgrimage. It is a high compliment to say that it is reminiscent of early Cassavetes films. Channel...
...completely obnoxious, but the irascible Oscar Levant consistently manages to upstage her. The highlight is a dance number with Astaire as a private eye and Charisse as the sleazy streetwalker in distress. Lots of good songs, and a plot so old that you just have to love it. Channel 3. 9:00 p.m.--The Battling Bellhop. The two premiere tough-asses of all time meet in a tale of fighters, dames, and lots of money. Edward G. Robinson discovers Wayne Morris in a hotel lobby and makes him into a contender, while trying to keep Bette Davis' hands...