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Dates: during 1990-1999
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...establishes a special rapport when you can tell them that you grew up in their home area," Heather C. Chang '99 says...

Author: By Rosalind S. Helderman, CRIMSON STAFF WRITER | Title: Drawing Them In | 12/14/1998 | See Source »

According to Chang, who hopped on a plane last month to recruit in the San Francisco Bay area, the schedule can be exhausting...

Author: By Rosalind S. Helderman, CRIMSON STAFF WRITER | Title: Drawing Them In | 12/14/1998 | See Source »

...Chang followed a strictly regimented itinerary that she drew up with help from the admissions office. Over her five days, Chang visited 20 schools, spending an average of an hour to an hour and a half at each...

Author: By Rosalind S. Helderman, CRIMSON STAFF WRITER | Title: Drawing Them In | 12/14/1998 | See Source »

...average number of schools is 15, so I kind of overdid it. It turned out to be painful," Chang says. "My day was spent going to between three and five schools. It would typically start as early...

Author: By Rosalind S. Helderman, CRIMSON STAFF WRITER | Title: Drawing Them In | 12/14/1998 | See Source »

...produced in the round, and over each of the four sets of bleachers is suspended a drop representing one of the four ethnicities that clashed in the riots. The audience is divided by these pendants into neighborhoods; Black, Korean, Latino, White, "drawing the audience into the conflict," according to Chang. Though each drop is well conceived in its own right, the aesthetics clash fiercely against one another. One in pastels looks like Monet in Watts; another (depicting the poor black neighborhoods) could be mistaken for an Ade Bethune woodprint. The effect is intentionally distasteful. Like the dialogue, each neighborhood...

Author: By Carla A. Blackmar, CRIMSON STAFF WRITER | Title: TWILIGHT | 12/11/1998 | See Source »

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