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Word: changed (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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...chamber work, the Clarinet Quintet, was also performed. Featured clarinetist David Kass was dazzling both technically and interpretively. With incredible breath control and unwaveringly beautiful tone, he gave the quintet a riveting emotional focal point. He was assisted by a fine string quartet with HRO concerto competition winner Lynn Chang as first violinist. Their sound was well blended, and if a lack of sensitivity to the light-hearted humor of the last two movements ended the piece on a dry note, the performance as a whole showed a unity and sincerity of interpretation...

Author: By Joseph Straus, | Title: Middling Mozart | 2/25/1975 | See Source »

...well-known local soloists, the Harvard-Radcliffe Orchestra, the Smith Glee Club, and F. John's own talented Harvard Glee Club. A Mozart chamber work will also be on that program--the sublimely beautiful clarinet quintet, played by a group which includes David Kass and HRO competition winner Lynn Chang. Good Mozart performances are rare, so this concert should be a rare pleasure...

Author: By Joseph Straus, | Title: MUSIC | 2/20/1975 | See Source »

Mozart's Grand Mass in C-minor; Mary Sindonl, soprano, Beverly Morgan, mezzo-soprano, Frank Hoffmeister, tenor, David Evitts, bass, Harvard Glee Club, Smith Glee Club, HRO, F. John Adams, conductor; Mozart's Clarinet Quintet; David Kass, clarinet, Lynn Chang, violin, Kypros Markou, violin, William Eilberg, viola, and Craig Hogan, cello; Sanders Theater...

Author: By Joseph Straus, | Title: MUSIC | 2/20/1975 | See Source »

Last Friday at Kirkland House, four fine musicians gave an intense and memorable performance of this quartet, revealing its masterful qualities through the vividness of their playing. The music makes extreme emotional and technical demands, but clarinetist David Kass, pianist Hugh Wolff, violinist Lynn Chang, and cellist Craig Hogan rose impressively to the challenge...

Author: By Joseph Straus, | Title: A Messaienic Vision | 2/18/1975 | See Source »

...pitch. Wolff, although he had no comparable solo, sensitively handled the shifting harmonies, providing the quartet with a sure base for their soaring and sometimes frantically demonic melodies. The piece is full of fast unison passages for the strings which would glaringly expose any inconsistency in rhythm or pitch. Chang and Hogan played best in these sections that would have frazzled the nerves and ears of lesser musicians...

Author: By Joseph Straus, | Title: A Messaienic Vision | 2/18/1975 | See Source »

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