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Word: chabon (lookup in dictionary) (lookup stats)
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...Pulitzer Prize-winning novel The Amazing Adventures of Kavalier & Clay, Michael Chabon spun a riveting tale of superheroics’ glory days, 1939 to 1954, through the tale of Kavalier and Clay, two Jewish comic-creators and their spectacularly successful creation, The Escapist...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Plot Leaves Chabon's Escapist in a Bind | 3/18/2005 | See Source »

...series’ first-ever installment, by übermensch Chabon himself, shows the passing of the golden key that confers powers from the Escapist to a protégé who takes on his mentor’s mantle. Again, the creator utilizes a familiar form in an unconventional fashion in order to mock conventions while still honoring them...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Plot Leaves Chabon's Escapist in a Bind | 3/18/2005 | See Source »

...instructive to watch a literary writer operate in a genre environment, where plot and pacing trump beautiful writing, where the thrill of what comes next is more important than the nuance of the now. When Chabon gets a little flowery, instead of marveling at his elegant prose, one makes mental let's-hurry-it-up-already gestures. But he has clearly mastered a basic truth about the mystery genre:it has an expressive power beyond the uses to which it is generally put. Solving mysteries has an existential meaning for Holmes. To him, it's the "essential business of human...

Author: /time Magazine | Title: Books: Pop Goes the Literature | 12/17/2004 | See Source »

...stories in Men and Cartoons play in the nerdier realms of comic books and science fiction--one revolves around a mysterious aerosol spray that reveals lost belongings and lost lovers; another recounts the sad, seedy later life of a retired comic-book hero named Super Goat Man. But while Chabon builds his book on the sturdy narrative architecture of the mystery novel, Lethem's stories stay literary in their bones, maybe too much so. They eschew the satisfying finales of commercial fiction in favor of tremblingly ambiguous, go-nowhere nonendings that are either ineffably poignant or maddeningly pointless, depending...

Author: /time Magazine | Title: Books: Pop Goes the Literature | 12/17/2004 | See Source »

This is literature in mid-transformation, the modernist bleeding into the postmodern and beyond. In his introduction to Astonishing Stories, Chabon calls this new high-low fiction "Trickster literature," and you can almost hear in that label the distant bugle call of a manifesto. And you can almost see the future of literature coming. Looks like it's going to be a page turner...

Author: /time Magazine | Title: Books: Pop Goes the Literature | 12/17/2004 | See Source »

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