Word: cellists
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...Organizer. Having persuaded Cellist Pablo Casals to come out of exile and begin performing again in 1950, Schneider now serves as major-domo of the annual Casals Festival in Puerto Rico. He is one of the guiding spirits of Pianist Rudolf Serkin's Marlboro Festival in Vermont. An indefatigable organizer of concerts, he has created such benign features of New York City musical life as the free outdoor performances in Greenwich Village and the offbeat chamber series at Manhattan's New School. A restless exponent of widening the repertory, he once formed a Schneider String Quartet expressly...
...Mozart piece got off to a rather weak start when the cellist's music dropped to the floor. With great aplomb, Schneider leaned down to pick it up, commenting, "Well done." During the first movement, Allegro, certain motifs played by the violinist were to be echoed by the violist, who, in contrast, failed to match the agility and lightness of Schneider's playing. The group did, however, make very effective transitions and tempo changes. Played with apparent quickness and ease, the Menuetto Allegretto had an incomparable dance-like quality. The final Allegro moved well and provided an excellent ending...
Aside from the law, Fortas' lifelong interest has been music. His Sunday afternoon music group is famous as the "3025 N Street Strictly-No-Refunds String Quartet." Any visiting violinist or cellist who passes through Washington is likely to be pressed into service. The Justice numbers Rudolf Serkin, Isaac Stern and Pablo Casals among his friends, and has helped to arrange the annual Casals Festival in Puerto Rico. In a jest that his enemies might not recognize, he has sometimes introduced himself at White House functions as "Abe Fortas?I am a violinist." His Italian Guidantus violin...
...slighted by composers, and even cursed by its own players, who call it a "monster" or a "baroque doghouse." Once, after Conductor Serge Koussevitzky gave his Boston Symphony players a dazzling demonstration of bass playing, one of them said he was so good that "he sounded like a lousy cellist." At the time, Koussevitzky was one of three men in the 250-year history of the instrument who had mustered enough talent, courage and sense of humor to qualify as a virtuoso bass soloist...
...family in which the father, grandfather, two uncles and three cousins all played the bass, he took up the instrument at nine "without even knowing there were other instruments." He made such rapid progress that he soon ranged beyond the conventional approach to the bass. He studied with a cellist, a pianist and even with Singer Jennie Tourel ("the greatest influence on my phrasing and musical ideas"). After a 1962 appearance in one of Leonard Bernstein's televised Young People's Concerts, he started on a career of recitals and solo stints with major orchestras. This required...