Word: cecilia
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...Business School, said that Fox was evasive during the question and answer session. “It’s great to see someone who changed the 72-year ruling party, [but] I think he didn’t really answer any questions,” Rocha said. But Cecilia Venegas ’11, a dual citizen of the U.S. and Mexico, called Fox captivating and sincere, adding that “he answered questions well...
...Cecilia M. Miniucchi. a graduate of the Graduate School of Arts and Sciences, is the anti-Hollywood director that so many independent filmmakers aspire to be. A critically lauded documentary filmmaker, Miniucchi screened her debut feature film “Expired” at the Harvard Film Archive (HFA) last weekend. Despite her first-time role as writer and director, Miniucchi reveals her technical and spiritual divergence from mainstream film and her acute cultural consciousness.A love story with the soul of a documentary, “Expired” follows two parking enforcement officers through Miniucchi’s vision...
...Titus Andronicus,” my appreciation for the scene’s aesthetics conflicted with my revulsion at the violence. It wasn’t a long battle. Lavinia’s over-dramatic helplessness soon led me to silently echo Tamora’s (Cecilia I. Soler ’08) moan of impatience with Lavinia’s interminable groveling...
...story can resume,” writes Robbie Turner, a British soldier fighting in World War II, to Cecilia Tallis, his beloved. He refers to their love story, which both the war and Cecilia’s sister, Briony, interrupt. Director Joe Wright adopts a similar philosophy by choosing Ian McEwan’s bestselling novel “Atonement” for film adaptation: The story can resume—even if the change in medium makes it lose some of its power. The film stays close to the novel that inspired it, as in Wright?...
...built. The problem wasn’t with the movie, but with the gap between the movie and our beloved book. Luckily, Ian MacEwan is not Jane Austen, and the adaptation of “Atonement” seems destined for a better end. The younger, more capricious Cecilia Tallis is a much better match for Knightley than the wry Elizabeth Bennet. The World War II backdrop and brief scenes of passion, as well as the quality of MacEwan’s prose, all lend themselves well to Wright’s eye for lush cinematography and emotional bravado...