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...student friendly and technologically feasible, professors should also pursue “e-textbooks.” Class readings stored on CDs or posted on the Internet are much easier for students to share and would come with far lower costs than coursepacks. The Harvard libraries already scan some course texts into e-reserves—a welcome cost-saving measure for students...

Author: By The Harvard Crimson, | Title: Drop (the Cost of) Knowledge | 10/29/2003 | See Source »

...Jones shop in London, and sales shot up 40% over a three-week period. Bars and auto dealerships are using it in the U.S. The system costs $1,500, and for those who want to hear Moby in the mirror, a $20 version called Soundbug let's you play CDs and MP3s through the glass...

Author: /time Magazine | Title: Windows That Talk to You | 10/27/2003 | See Source »

...DIED. ELLIOTT SMITH, 34, folk rocker known for spare, moody songs about depression, turmoil and lost love; from an apparently self-inflicted stabbing; in Los Angeles. Smith recorded five CDs, which impressed critics and inspired a cult following. In 1998 he won an Oscar nomination for Miss Misery, one of five songs he wrote for the film Good Will Hunting...

Author: /time Magazine | Title: Milestones | 10/27/2003 | See Source »

Gruenbaum has released several CDs and performed as a soloist and with various artists around the world. 2002’s Away features live recordings of his abstract pop band Math Camp, for which he composes, sings and plays Samchillian. He has also performed as a member of the Bad Spock Quartet, which consists of Gruenbaum and friends dressed in blue Starfleet uniforms and fake ears who sing purposefully out of tune...

Author: By Sarah L. Solorzano, CRIMSON STAFF WRITER | Title: Inventing His Own Musical Keys | 10/24/2003 | See Source »

First, the article suggests that the LowKeys achieved Sanders status easily. Nothing could be farther from the truth. We had to: become a Harvard student group in the face of strong opposition; sell out Lowell and Paine Halls; record two CDs; travel in the U.S. and to Paris; and sing for hundreds of audiences before even being considered for Sanders Theatre. We negotiated with the top a cappella groups at Harvard for years to be included in auditions, jams and the community in general. We had to prove ourselves to discerning audiences, singers and Harvard officials before...

Author: By Oliver B. Libby, | Title: Making the LowKeys | 10/20/2003 | See Source »

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