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...this is one of the most wonderful mystery movies ever made. Orson Welles plays a blackmarket kingpin who is killed in an accident (or is he?) and Joseph Cotton plays the American writer who investigates the death. The story is hard to beat, the little touches (watch for the cat in the doorway) are brilliant, and Welles is Welles. The "Third Man Theme" is a catchy little accordian tune that tops off a great flick...

Author: NO WRITER ATTRIBUTED | Title: THE SCREEN | 8/16/1974 | See Source »

...NINE LIVES OF FRITZ THE CAT...

Author: /time Magazine | Title: Cinema: Pussyfooting | 8/12/1974 | See Source »

...exhibit now under consideration represents something of a curiosity: a rip-off of a ripoff. It will be remembered that the original cartoon feature Fritz the Cat - largely the work of the animator Ralph Bakshi - so enraged Fritz's creator, the underground comic artist R. Crumb, that he disowned the whole movie. Crumb, a stringent satirist, had conjured up Fritz as a way to mock the poses of the pseudo hipster and to lay waste the giddy excess of the culture from which he sprang. Bakshi slicked Fritz up, cooled him out, and turned him into the perfect creature...

Author: /time Magazine | Title: Cinema: Pussyfooting | 8/12/1974 | See Source »

Last week Agriculture Secretary Earl Butz suggested facetiously that the U.S. might save food by killing half of its dogs and cats. Said Butz in a speech to the American Society of Animal Science: "If some of those ill-informed, fuzzy-thinking do-gooders who suggest that we eat one less hamburger per week to release more foodstuffs to the world are really serious ... they could make the first onslaught on this noble goal by reducing our dog and cat population by 50%." Of course, Butz added, "I do not advocate such a thing...

Author: /time Magazine | Title: FARMING: Back to Dust Bowl Days | 8/12/1974 | See Source »

...Cat, it was the third act that proved troublesome. In order to assure the play's production, Williams felt compelled to knuckle under to director Elia Kazan's desires that Big Daddy return on-stage in the last act, that Brick undergo a change of character as a result of Act II, and that Maggie become more sympathetic. Williams saw some merit only in the last, but went along with all three. In Kazan's production, Big Daddy came back to hear Maggie's false claim of pregnancy and to tell a smutty joke. This was a half-hearted compliance...

Author: NO WRITER ATTRIBUTED | Title: Williams's 'Cat' Revised and Revived | 7/26/1974 | See Source »

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