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...Cruising develops into a leather-coated cat-and-mouse story, Friedkin's strange perceptions of New York cops become clearer. They are crass morons as he presents them, maligning the cruisers and transvestites, raiding apartments at the wrong time, busting the wrong guys, torturing criminals and failing miserably to prevent the killings. Throughout the film, however, Friedkin casts them as good guys. They are the New York cops of 1977, paralyzed and pressured by a maniac who hears voices that tell him to kill...

Author: By David Frankel, | Title: Nights in Black Leather | 2/19/1980 | See Source »

Fahrner broke his back in a ski-lift accident a month before the Olympics, but last week, wearing a brace, he was out on the course, prowling the mountain in a Sno-Cat, shouting into a walkie-talkie over the roar of the diesel engine...

Author: /time Magazine | Title: Sport: With Homemade Snow and Dreams of the Past | 2/18/1980 | See Source »

...perversion at this stage in humanity's march to glory must be held in deepest respect. Comedian Steve Martin managed the trick in his second record album, A Wild and Crazy Guy. He had heard about these absolutely disgusting exhibitions that were being held in Mexico, he said. Cat juggling. "They take the little kitties ..." It is funny, because it calls to mind a bizarre vision of serious cats slashing at a demented Mexican juggler, while an audience of gringo tourists giggles obscenely. The cruelty that would be involved in actually juggling cats is not offensive, partly because Martin...

Author: /time Magazine | Title: Cinema: Cat Catcher | 1/21/1980 | See Source »

There's a cat-juggling scene in The Jerk, the first movie in which Martin has starred, and although it is a direct cinematic translation of the record album sketch, it does not work very well. The kittens used by the juggler (a gent listed in the credits as Pig Eye Jackson) seem pretty confused, and they don't do much except twist a little in the air. Martin expresses his ambivalent disgust, but since he helped write the screenplay, and since real kittens, no doubt much confused, must have been used to film the sequence, the moviegoer...

Author: /time Magazine | Title: Cinema: Cat Catcher | 1/21/1980 | See Source »

...kind of humor. During most of this film he is way out of character (so is his rough language). He does not impersonate a rube or a lovable nitwit; his twitchy, leering mug is that of a loony who may be dangerously mad, a secret aficionado of cat juggling whose gift is for making audiences laugh uneasily. That is to say that he is, approximately, a white Richard Pryor, and how about casting the two of them to gether in a remake of The Prince and the Pauper? -John Skow

Author: /time Magazine | Title: Cinema: Cat Catcher | 1/21/1980 | See Source »

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