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...Arthur Hochstein (Deputy Art Director); Linda Louise Freeman (Covers); Steve Conley, Jennifer Napoli, Billy Powers, Irene Ramp, Ina Saltz, John F. White, Barbara Wilhelm (Assistant Directors); Angel Ackemyer, Stefano Arata, James Elsis, Carol March, Kenneth B. Smith (Designers) Production: Paul Dovell (Manager); Carri Marks Layout: John P. Dowd (Traffic); Joseph Aslaender, David Drapkin, Victoria Nightingale, Lisa Sampson, Nomi Silverman, Eugene Tick, Dennis Wheeler Maps and Charts: Paul J. Pugliese (Chief); Cynthia Davis, Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells Administration: Carrie A. Zimmerman...
...Arthur Hochstein (Deputy Art Director); Linda Louise Freeman (Covers); Steve Conley, Jennifer Napoli, Billy Powers, Irene Ramp, Ina Saltz, John F. White, Barbara Wilhelm (Assistant Directors); Angel Ackemyer, Stefano Arata, James Elsis, Carol March, Kenneth B. Smith (Designers) Production: Paul Dovel (Manager); Carri Marks Layout: John P. Dowd (Traffic); Joseph Aslaender, David Drapkin, Victoria Nightingale, Lisa Sampson, Nomi Silverman, Eugene Tick, Dennis Wheeler Maps and Charts: Paul J. Pugliese (Chief); Cynthia Davis, Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells Administration: Carrie A. Zimmerman...
...Arthur Hochstein (Deputy Art Director); Linda Louise Freeman (Covers); Steve Conley, Jennifer Napoli, Billy Powers, Irene Ramp, Ina Saltz, John F. White, Barbara Wilhelm (Assistant Directors); Angel Ackemyer, Stefano Arata, James Elsis, Carol March, Kenneth B. Smith (Designers) Production: Paul Dovel (Manager); Carri Marks Layout: John P. Dowd (Traffic); Joseph Aslaender, David Drapkin, Victoria Nightingale, Lisa Sampson, Nomi Silverman, Eugene Tick, Dennis Wheeler Maps and Charts: Paul J. Pugliese (Chief); Cynthia Davis, Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells Administration: Carrie A. Zimmerman...
Bizet: If Brook and his screenwriter-playwright collaborator, Jean-Claude Carrière, were to present me with this libretto now, yes, I might be intrigued. But I worked within quite different terms, the opéra-comique's of 1875 and my own. Which brings us to the fundamental point that Brook has missed...
...autobiography (written in collaboration with his longtime screenwriter, Jean-Claude Carrière) is thus in part the testament of an old man passing ironic judgment on a century that finally learned to accommodate him. If the book offers any shocks, they are of the boomerang variety: the iconoclast at twilight is in danger of becoming a moralist. He condemns "the proliferation of gutter words" in modern literature; he criticizes the excesses of his anarchist comrades in the Spanish Civil War; he expresses relief in the waning of his sexual desire ("It's as if I've finally...