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...Dance directed by: James Carmichael...

Author: By Ben A. Cowan, Angela Marek, Diana R. Movius, and Cara New, S | Title: Fall Theater Preview: October | 10/8/1999 | See Source »

...true strength of Kellerman's production, of course, lies in the sheer power of his cast. As Teach, Don and Bobby, Mamet's trilogy of lowlifes, James Carmichael '00, Jonah St. Newmouth and Jonathan Steinberger '00 command the audience's unblinking attention for two straight hours with ease. It's nearly impossible to rank their performances in any meaningful sense. Steinberger presents an almost scarily realistic portrait of Bobby, Mamet's junkie with a heart of gold, while Carmichael brilliantly portrays the overly energetic and manipulative Teach. St. Newmouth as Don plays the calm anchor for the group who will...

Author: By David Kornhaber, CONTRIBUTING WRITER | Title: NICKEL and CRIME | 4/23/1999 | See Source »

While the show focused on unconventional pieces the traditional numbers had their own special spark. Mai'a Davis '99 and James Carmichael '01 gave an exquisite performance of the stressful Grand pas de deux from Don Quixote, a highlight of the first act, and the medley of familiar Gershwin tunes entitled "I Got Rhythm" simply shone, endearingly nostalgic...

Author: By Jamie L. Jones, CRIMSON STAFF WRITER | Title: Mostly Nontraditional Jazz Under Foot | 12/11/1998 | See Source »

...years to improve conditions for African Americans. One of his greatest contributions was the 1966 wake-up call to black Americans, saying that they are "a mighty people" who can and must determine and define their own destiny. As young men, Kwame--then known as Stokely Carmichael--and I worked together in the Student Nonviolent Coordinating Committee. We honestly felt that we could topple the racism and segregation that had stifled--and continues to stifle--the aspirations of generations of African Americans. I learned much from Kwame about courage, commitment, strategy and being uncompromising in the pursuit of revolutionary social...

Author: /time Magazine | Title: Eulogy: Kwame Ture | 11/30/1998 | See Source »

...production features a great deal of physical acting and humor, and this style works most of the time. For instance, Oronte's (Nabil Kassam '01) exaggerated, pompous style keeps the audience in stitches and coincides well with his ridiculous literary aspirations. As Alceste, James Carmichael '00 best embodies this physical style, performing the same kind of frenetic dashes that he made so hilarious in last semester's What the Butler Saw. Carmichael maintains a terrific energy level, and constantly sends his high-strung character into wild fits of obsession and indignation. Kirk Hanson '99 follows close behind as Basque...

Author: By Stephen G. Henry, CONTRIBUTING WRITER | Title: Moliere Thrives in Jazz Age | 11/6/1998 | See Source »

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