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Word: carmichael (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...play whose description is “a sort of love story with gun and whatnot” is sure to provide a wild ride. The first scenes of Odeon (written and directed by James A. Carmichael ’01), are disorienting. For several minutes the audience sits in darkness listening to a techno-mix of answering machine messages. Following this is the illumination of a single neon light proclaiming that it is “open”—whatever “it” is. In the meager neon light are three simultaneous scenes...

Author: By Rebecca Cantu, CONTRIBUTING WRITER | Title: A Sort of Romantic Comedy Well Worth The Confusion | 5/4/2001 | See Source »

...that interesting (boy gets dragged to a weird situation by his friends, boy meets girl, boy and girl clearly like each other, boy and girl almost never see each other again, story has a happy ending) the execution certainly makes this production one of the best this semester. Carmichael creates characters who are interesting and emotionally engaging. Donald is a shy, uncertain teen who grapples with the untimely death of his parents and the handicap his medical condition imposes on him. D is a boisterous, and sometimes obnoxious youth who is looking for some fun (which often means trouble). Trix...

Author: By Rebecca Cantu, CONTRIBUTING WRITER | Title: A Sort of Romantic Comedy Well Worth The Confusion | 5/4/2001 | See Source »

...with examples of epistolary songs. Here’s the full list: “One  Love” by Nas, “The Light” by Common, and the ever-classic “Hello Mudda Hello Fadda” (all suggested by James E. Carmichael ’01), “Dear Elpee” by Sole (Ryan J. Kuo ’04), “Anchored Down in Anchorage” by Michelle Shocked (Mary E. Bridges ’01), “Unsent” by Alanis Morisette...

Author: By Daryl Sng, CRIMSON STAFF WRITER | Title: IN THE MIX: too much tv edition | 4/6/2001 | See Source »

When Emily J. Carmichael `04 asked Morrison if she was ever afraid of using elements of her own experience in her work, Morrison answered resoundingly...

Author: By Joseph P. Flood, CRIMSON STAFF WRITER | Title: Morisson Expounds on Race | 4/4/2001 | See Source »

...though Strindberg's fervor transcends the actor's capabilities at the moment, the focus and preparation by cast and crew for this production are clearly evident and ought be commended. Though Strindberg preferred as realistic a set as possible, as he instructed in the preface to the play, Emily Carmichael's '04 nearly Spartan orange and blue design has a calming undertone for the drama onstage. The clever matching of colors mirror the emotions and intensities of the actors, visually manifesting shifts in emotion and mood. This careful attention to detail is just one of the qualities that earmark Guest...

Author: By Nikki Usher, CRIMSON STAFF WRITER | Title: Miss Julie in the Ex | 3/9/2001 | See Source »

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