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Miss Bankhead was highly amused at an offer she has recently had from Hollywood from Frank Capra, the director. Columbia Pictures were planning to make "Lost Horizon," and Capra wired Miss Bankhead that they were going to change the woman missionary in the story to a prostitute, and would she please come. "That's Hollywood for you," smiled Tallulah...

Author: NO WRITER ATTRIBUTED | Title: Tallulah Bankhead Says Censoring of Films Silly as Trying to Outlaw Gin | 4/25/1935 | See Source »

Right. The picture was Flight, produced in 1929 by Columbia, directed by Frank Capra...

Author: /time Magazine | Title: Letters, Mar. 18, 1935 | 3/18/1935 | See Source »

...awards, valued by Hollywood purely for the publicity attached to winning them, five went to Columbia's famed comedy, It Happened One Night (TIME, Feb. 26, 1934): production; direction (Frank Capra); performances (Claudette Colbert & Clark Gable); adaptation (Robert Riskin). Columbia got two more, best musical scoring and sound recording, with One Night of Love. Best original story was Manhattan Melodrama by Arthur Caesar. Best shorts were The Tortoise and the Hare, La Cucaracha, City of Wax. Best song was "The Continental...

Author: /time Magazine | Title: Cinema: Academy Awards | 3/11/1935 | See Source »

Absent from the banquet was Columbia's expert Scenarist Robert Riskin who also collaborated with Director Frank Capra on Lady for a Day, Broadway Bill and whose The Whole Town's Talking last week had its Manhattan première (see below). Now 40, Scenarist Riskin was brought up in Baltimore, attended Columbia University for two years. After 15 years as a cinema director, playwright, free-lance producer and scenarist, he struck his stride with Lady for a Day, has since become one of Hollywood's highest-paid writers.* He lives at the Beverly Wilshire Hotel, plays...

Author: /time Magazine | Title: Cinema: Academy Awards | 3/11/1935 | See Source »

...chance to pose in four different evening gowns and to prove, superfluously, that she is still the most affected young woman on the U. S. screen. Likely to be popular, because of its stars and a rapid-fire style in which Director Robert Leonard shows the influence of Frank Capra, After Office Hours contains one genuinely comic sequence: a lunchroom proprietor (Henry Armetta) working himself into a slow rage when his patrons comment disdainfully on his taste in radio entertainment...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 4, 1935 | 3/4/1935 | See Source »

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