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After five minutes of mindless wandering, I found the hordes of Parisian fashionistas with their mud-stained Manolos outside the Espace Ephemère.I entered slightly soaked and walked down the runway, passing a throng of cameramen surrounding Parisian it-girl Lou Doillon in her green chiffon and cowboy boots. Shuffled into the back standing area, I scanned the front row: Anna Wintour (Vogue), Patrick McCarthy (W), Suzy Menkes (IHT) and a veritable plethora of other journalists, buyers and celebrities...

Author: By Adam P. Schneider, | Title: Chiffon and Cowboy Boots | 12/2/2004 | See Source »

...will be designed to make the operation quick and decisive. The last time the Marines were sent into Fallujah, in April, they were pulled back as U.S. officials felt the heat of a political backlash spurred by the images of civilian casualties beamed around the world by al-Jazeera cameramen inside the city. This time, however, the political echelon in Washington and Baghdad is unlikely to hit the brakes. It's a go-for-broke strategy, not least because any retreat now would simply empower and embolden the insurgents...

Author: /time Magazine | Title: The Grim Calculations of Retaking Fallujah | 11/8/2004 | See Source »

...front of blue screens before, but Conran was the first to try to build absolutely everything nonhuman on the computer. It's the anti--Who Framed Roger Rabbit, with Conran leaving holes for the actors, who ran from one piece of tape on the floor to another as cameramen were instructed to tilt and rotate by exact degrees at precise moments. That, it turns out, does not make for happy cameramen, who have creative ideas of their...

Author: /time Magazine | Title: Movies: The Sky's The Limit | 9/13/2004 | See Source »

...week, Manhattan's Museum of Modern Art put on a show of pictures?each made in a wink?which brought back moments from the past decade more vividly than memory can. They were candid camera shots snapped by France's most distinguished documentary photographer, Henri Cartier-Bresson. Unlike artier cameramen, Cartier-Bresson has never felt the need of a studio or a darkroom. He still reloads his Leica under the bed, washes his prints in the bathtub. 'Shooting a picture,' says he, 'is like shooting rabbit or partridge. Before shooting you think, you contemplate, you look, look, look, look. Then...

Author: /time Magazine | Title: Letters | 9/6/2004 | See Source »

...America's first individual sweep. For Patterson, the "new Mary Lou" label is inevitable. But she may lack the perkiness factor that has kept Retton in the public eye. The '84 champ hasn't stopped smiling since Los Angeles, but Patterson barely showed any enamel when a group of cameramen asked her to flash her medal and shine after the victory. "Mary Lou was an open book," says Bela Karolyi, who coached Retton and whose wife Martha put together this year's women's team. "Carly is a little more stubborn." Stubborn enough to keep winning meets and--unlike many...

Author: /time Magazine | Title: Gymnastics: The Comeback Kids | 8/30/2004 | See Source »

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