Search Details

Word: cameraful (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...like many an American reality-show subject, he's really a boor trying to impress the cameras. Introducing receptionist Pam (Jenna Fischer), Scott compliments her thusly: "Pam has been with us for--forever. Righty, Pam? You think she's cute now, you should have seen her a couple years ago! Rrawrr!" Her response--a fleeting "Wha?"--is one of many priceless moments in a comedy of subtle background reactions and self-delusions. In his office, Scott shows the off-camera interviewer his World's Best Boss coffee mug. "I think that pretty much sums it up. [Pause.] I found...

Author: /time Magazine | Title: Television: The (Awkward) Pause That Refreshes | 3/14/2005 | See Source »

Barrios, himself a former Harvard College Democrat, expressed surprise at the Dems’ top-notch manual camera...

Author: By Victoria Kim, CRIMSON STAFF WRITER | Title: Dems Trek Downtown to State House | 3/11/2005 | See Source »

...Beckham) proves her directorial versatility by offering up a classic tale from Western culture, but tinting it with a distinctly Eastern lens. As the title suggests, the movie is an adaptation of the Jane Austen classic Pride and Prejudice, but instead of taking place in 18th century England, the camera takes us through modern-day India, London, and Los Angeles...

Author: By Steven N. Jacobs, Laura E. Kolbe, and Scoop A. Wasserstein, S | Title: Movie Reviews | 3/10/2005 | See Source »

Regardless of the storyline or Griffith’s personal history, The Birth of a Nation would likely still find a place in film history for its numerous technical innovations in cinematography. These included the development of the iris shot, in which the camera focuses on a particular visual detail of a shot and blacks out the surrounding scenery, and the development of coloring frames to highlight a scene’s mood...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: The History of 'The Birth of a Nation' | 3/10/2005 | See Source »

...tale of young adults raised both in turn-of-the-millennium suburbia and in the shadow of their parents’ memories of genocide, primarily by letting its subjects tell their own story. A significant portion of the film is shot by the kids themselves with hand-held cameras. When Mallozzi is behind the camera, her three-year effort reflects a painstaking and nonjudgmental commitment to capture minute details and make sure we don’t turn the characters into immigrant saints or ethnic stereotypes...

Author: By Abe J. Riesman, CONTRIBUTING WRITER | Title: VES TF's Documentary Shows Integrity | 3/10/2005 | See Source »

First | Previous | 313 | 314 | 315 | 316 | 317 | 318 | 319 | 320 | 321 | 322 | 323 | 324 | 325 | 326 | 327 | 328 | 329 | 330 | 331 | 332 | 333 | Next | Last