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...appointments were as follows: Francis Minot Rackemann '09 to be Alumni Assistant in Medicine; James Howard Means '07 and Joseph Charles Aub '11, Teaching Fellows in Medicine; Harry Caesar Solomon '14M; Instructor in Psychiatry; Charles Edouad Sandoz, Assistant in Psychiatry; Charles Anthony McDonald '07M, Assistant in Neurology; Kurt Friederich Pantzer 3L and Adrian Irving Block 3L, Law School Advisers...

Author: NO WRITER ATTRIBUTED | Title: CORPORATION MADE EIGHT APPOINTMENTS ON MONDAY | 12/14/1916 | See Source »

...into his service the finest actors of the time and distinguished artists, musicians and scholars. He has kept Shakespeare on the stage. From 1897 to the present time he has made each year a magnificent production of one of Shakespeare's plays: 'The Merry Wives of Windsor,' 'Hamlet.' 'Julius Caesar,' 'King John,' 'A. Midsummer Night's Dream,' 'Twelfth Night,' 'King Richard III,' 'The Tempest,' 'Much Ado About Nothing,' 'The Winter's Tale,' 'Antony and Cleopatra,' 'The Merchant of Venice,' 'King Henry VIII,' 'Macbeth,' 'Othello,' and since 1905 has given an annual Shakespeare Festival, including many of these plays...

Author: NO WRITER ATTRIBUTED | Title: TREE'S WOLSEY A TRIUMPH | 10/16/1916 | See Source »

...plays with Henry Irving included "Much Ado About Nothing." "Henry VIII," and "King Arthur." The present American tour is his sixth the first being with Mary Anderson in 1885; and the others following in 1889, 1902, 1905, and 1909-10. His most famous Shakespearian plays besides "Hamlet" are "Macbeth," "Caesar and Cleopatra." "The Merchant of Venice," and "Othello...

Author: NO WRITER ATTRIBUTED | Title: FORBES-ROBERTSON WILL ACT "HAMLET" IN SANDERS | 12/9/1915 | See Source »

...statements like that quoted above, and from the paid-by the column wisdom of "Bill" and the rest, in the local press, the idea should become current that there is an organized and bitter "kick" at Brown over the Harvard line-up, or that Brown men are generally demanding: "Caesar, was it a dirty trick...

Author: NO WRITER ATTRIBUTED | Title: Communication | 11/17/1915 | See Source »

...cares no more for our emotions than for the play, as such, so why should we take it with a long face and call it 'daring dialogue." Nothing of the sort. It is a colossal toying with one fanciful idea after another. Think of a lion out-roaring a Caesar...

Author: NO WRITER ATTRIBUTED | Title: The Theatre in Boston | 10/27/1915 | See Source »

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