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...short of overpowering when she goes into one of her frequent states of towering rage, and when she sulks she seems like a fury with nobody but herself to haunt. Best of all are the comic scenes, which she plays with the broad and leering satisfaction of a peasant. Burt Lancaster tries hard as the bachelor-clown, but even in his most successful moments he appears almost pathetically outclassed...

Author: By Thomas K. Schwabacher, | Title: The Rose Tattoo | 2/18/1956 | See Source »

...Rose Tattoo stamps an indelible impression on anyone who can take Burt Lancaster's antics. Anna Magnani at the Metropolitan...

Author: NO WRITER ATTRIBUTED | Title: WEEKEND EVENTS | 2/17/1956 | See Source »

...memory. She keeps his ashes in a gimcrack vase in their shanty parlor, and has long, sweaty daydreams about his body ("like a young bull"). "I was the peasant," she cries, "but I gave my hosband glory." One day reality in the improbable form of Alvaro Mangiacavallo (Burt Lancaster), "a bachelor wit' three dependents," breaks into Serafina's dank little dreamworld. Like the smuggler, he drives a truck, and has a rose tattooed on his brawny chest, which reminds Serafina almost unbearably of her husband's. Hard facts as well as a new set of hard muscles...

Author: /time Magazine | Title: Cinema: World's Greatest Actress | 12/19/1955 | See Source »

...Burt Lancaster, however, makes a brave try at a part somewhat beyond the means of his talent, and manages at least to convince the spectator that half an oaf is better than none. As for Anna, nothing like her kind of corset farce has come out of Hollywood since the late Marie Dressier delicately tucked a pint of hooch in her grandmotherly bosom. One moment Actress Magnani comes lurching on-camera as shapeless as a burlap bag full of cantaloupes; the next she is sleazing through the dusk in black lace with the toothsome glitter of a backstreet-walker...

Author: /time Magazine | Title: Cinema: World's Greatest Actress | 12/19/1955 | See Source »

Next town they come to, Burt goes to work and soon has his money back in pocket. But by that time he has something else (Diana Lynn) in prospect, almost as hot as Texas and not nearly so flat. She's a schoolmarm, and she plays him mountain music on what sounds like a clavichord. Poor slavey-she's got more sex than teacher, but what good is sex, she asks herself ruefully, against a clavichord? Silly girl. The hero soon enough succumbs to manifest destiny...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 26, 1955 | 9/26/1955 | See Source »

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