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Milwaukee, home of the Brewsox,--oops I mean the Brewers--won't profit by witching divisions. The bunch they got from Boston--George Scott, Billy Conigliaro, Jim Lonborg, et al, will help, but he Brewers are still an-expansion club. The only reason I pick them fifth is because Cleveland is so woefully bad that the Brewers can probably safely donate last place to the Indians...

Author: By Charles B. Straus iii, | Title: CBS Reports | 4/15/1972 | See Source »

Once the nominations were set, the winners followed fairly logically. A bunch of sentimental favorites like Ben Johnson, Gene Hackman (always pick the Hollywood veteran over a qualified candidate without the homegrown background). Sops for such costly items as negligible as Bedknobs and Broom-sticks. And the final award tally divided between what Hollywood thinks of as Art--The Last Picture Show--and what it makes better, enjoys more, and thrives on financially--The French Connection...

Author: By Michael Sragow, | Title: "Oscar Wiles" | 4/13/1972 | See Source »

...Against the Southern schools we were playing outdoors on clay for the first time while they were playing their 12th or 13th match." Barnaby said. "I was impressed by the decisive way we beat every team we knew we could beat. This squad is a spirited team with a bunch of winners...

Author: By Robert W. Gerlach, | Title: Racquetmen Lose to Southern Teams But Harvard's Prospects Are Bright | 4/10/1972 | See Source »

...trouble with writing about Hersey, Nero and power is that Hersey doesn't really seem to know much about power. Remember that White House party back in 1965 when Lyndon Johnson invited in a bunch of intellectuals and a lot of them tried to figure out how to protest the Viet Nam War? Hersey's solution was to read aloud some excerpts from his book on Hiroshima...

Author: /time Magazine | Title: Books: Fiddling in Old Rome | 4/3/1972 | See Source »

Although it is nominally about crime, The Godfather has no more in common with the razzle-dazzle Warner Bros, gangster yarns of the '30s than The Wild Bunch had with Shane. The Godfather's primary concern is not bullets and murders but dynasties and power. In the cool savagery of its ironies, expressed within a traditional framework, it is much closer to, say, Bertolucci's The Conformist. In its blending of new depth with an old genre, it becomes that rarity, a mass entertainment that is also great movie art. &3183; Jay Cocks

Author: /time Magazine | Title: Show Business: What Is The Godfather Saying? | 4/3/1972 | See Source »

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