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Word: bullfrogs (lookup in dictionary) (lookup stats)
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Billy almost never does, on screen or off. Inside a head that makes him look like a benevolent old bullfrog resides a restless imagination, a "flypaper memory" and a wit that ranges from the merry to the mordant. Wilder, not Benchley, was the man who first said: "Wait till I slip out of these wet clothes and into a dry martini." He is also the author of this scathing epigram: "I would worship the ground you walk on if you lived in a better neighborhood...

Author: /time Magazine | Title: HOLLYWOOD: Policeman, Midwife, Bastard | 6/27/1960 | See Source »

...prime) to portray Dashiell Hammett's urbane gumshoe The Fat Man from 1946-52, with his gruff voice convinced listeners he meant it when he snarled "murder," as on other radio shows he convinced them when he squawked like an ostrich, croaked like a bullfrog, orated like Huey Long; of cancer; in Springfield...

Author: /time Magazine | Title: Milestones, Jan. 25, 1960 | 1/25/1960 | See Source »

...ugly, rednecked, cigar-chomping, big daddy, who likes life too much to bother dying, Orson Welles is the quality part of an only fair production. Welles is Welles, and one is willing to sit through the film two or three times, just to hear him talk like an inebriated bullfrog and act like a bulldog in heat...

Author: By Martin Nemirow, | Title: The Long, Hot Summer | 11/30/1959 | See Source »

...visit. The London press attacked him in the same vein as Pravda does. "This man is dangerous," huffed Lord Beaverbrook's Daily Express. "The policy of Dr. Adenauer would lead to war." To Lord Rothermere's Daily Mail, "the self-important old chancellor" was reminiscent of "a bullfrog who puffed himself up until he burst...

Author: /time Magazine | Title: THE ALLIES: The European Welcome | 8/24/1959 | See Source »

...From the bullfrog severity of Robert Feke's The Reverend Thomas Hiscox, painted in 1745, to Loren Maclver's dew-gentle The Street, done last year, the Wildenstein exhibition is a succession of triumphs. No fewer than 28 major museums in 16 states contributed to the exhibition, and of its 54 canvases more than half are outright masterpieces. Seen in a body, they bring home with tremendous impact the vast and varied achievements of American painting. Said Harris K. Prior, director of the American Federation of Arts, in a foreword to the Wildenstein show: "Americans are finally accepting...

Author: /time Magazine | Title: Art: Recognition of a Heritage | 10/28/1957 | See Source »

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