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...reports of revolt and fighting came from refugees who in their excitement did not have all the facts straight, and when the details collapsed, so did the reports. But in 1957 Peking itself confirmed that all was not well: faced with passive opposition from Tibet's powerful Buddhist lamas and landlords, the Reds announced postponement of Communist "reforms" in Tibet for another six years...

Author: /time Magazine | Title: TIBET: Leak on the Roof | 3/16/1959 | See Source »

...Majority of One (by Leonard Spigelgass). Problem: Can a plump Jewish widow (Gertrude Berg) from Brooklyn find enduring happiness with a rich Buddhist-Shintoist Japanese textile tycoon (Sir Cedric Hardwicke...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Mar. 2, 1959 | 3/2/1959 | See Source »

...they begged alms last week in the Japanese city of Kobe, Zen Buddhist monks from the great temple of Shofukuji (Good Omen) met an unusual reception. Instead of showing reverence, people cracked seemingly typical Zen koans (problem riddles). "You look like the one who was admiring nude pictures," giggled one housewife, slamming the door in a novice priest's face. Snapped another tart-tongued woman: "Wash out your mind before I fill your bowl...

Author: /time Magazine | Title: Religion: Zensation | 2/23/1959 | See Source »

...once sickly child ("At the time, my navel was down-beamed"), Murata became fascinated as a young man with health fads, began delving into the Spartan training of the Zen Buddhist priests. By 1951, at the age of 55, he had built up a whole philosophy around the navel's influence on health. He started the Hesoten (literally, Navel Heaven) Society, swooped down upon factory and-office to proclaim that "the heaven-pointed navel receives blessings therefrom." The navel, he told his growing audiences, is "a medal of culture with which every person is born. Polish it. Value...

Author: /time Magazine | Title: JAPAN: Navel Exercise | 2/9/1959 | See Source »

...time is 1,000 years ago. Rain drums like a dirge on the crumbling ruins of the great temple gate called Rashomon in Kyoto. Huddling in its shadows are three birds of strange omen-a Buddhist priest, a simple woodcutter (Akim Tamiroff) and a cynical wigmaker (Oscar Homolka)-who croak and cluck chorus-fashion about a hideous crime and the baffling trial testimony that followed...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Feb. 9, 1959 | 2/9/1959 | See Source »

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