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Screenplay by Luis Buñuel with...

Author: /time Magazine | Title: Cinema: Orderly Chaos | 12/5/1977 | See Source »

Mathieu (Fernando Rey) is an elegant middle-aged Spaniard who likes brandy and cigars, expensive suits and an occasional pretty woman. He is an unflappable sort-but since he is the hero of a Luis Buñuel film, his poise is soon put to extraordinary tests. Terrorists, for no discernible reason, begin to blow up cars in his tranquil Seville neighborhood. A waiter at his favorite restaurant serves him a martini containing a huge fly. His butler, ordinarily a paragon of civility, starts to give him Up. Somehow Mathieu remains untouched by all these shenanigans, but then he falls...

Author: /time Magazine | Title: Cinema: Orderly Chaos | 12/5/1977 | See Source »

That Obscure Object of Desire is Buñuel's free-flowing meditation on Mathieu's fall from bourgeois grace, and like so many films by this great surrealist director, it is art of the most subversive kind. Buñuel wants the audience to see the world as he ultimately forces Mathieu to see it-as an irrational state where logic is a worthless tool. In Obscure Object the director never bothers to explain Conchita's stubborn celibacy or any of his story's other absurdities, for he does not believe that any explanations exist...

Author: /time Magazine | Title: Cinema: Orderly Chaos | 12/5/1977 | See Source »

This is why, in Obscure Object, Buñuel pulls the fiendish stunt of casting two actresses as Conchita, and then proceeds to interchange them at whim. It is his way of saying that the movie's subject is Mathieu's obsessive desire rather than the 'obscure object" that brings it about. There are many other rude jokes as well, all designed to pull the rug out from under civilization as we know it. Buñuel casts a dwarf as a professor of psychology and dreams up a clerical terrorist group called the Revolutionary Army...

Author: /time Magazine | Title: Cinema: Orderly Chaos | 12/5/1977 | See Source »

...anarchy of Bu@#241;uel's vision, there is nothing chaotic about his filmmaking style. At 77, he is in such fluid touch with his 'medium that he seems incapable of staging an awkward shot. The movie appears to flow directly from his subconscious, just as surrealist art is meant to do. Fernando Rey, a veteran of a decade of Buñuel films, finds as much baroque humor in his many bouts with coitus interruptus as he did in the unfinished eating scenes of The Discreet Charm of the Bourgeoisie. The two mysterious Conchitas - one svelte (Carole...

Author: /time Magazine | Title: Cinema: Orderly Chaos | 12/5/1977 | See Source »

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