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...trouble is that Playwright Orton did not set out to write a comedy of manners but a Stygian comedy of morals. Dipping his brush in the bile of Swift, he has managed to paint only an urban pastiche of Tobacco Road...

Author: /time Magazine | Title: Theater: Stygian Fun House | 10/22/1965 | See Source »

Indian jet fighters streaked from the sky to smash the armored spearhead. Fearful of losing the strategic city of Jammu, the Indian high command ordered the drive on Lahore, removing the battle from Kashmir to Pakistan proper, and changing a brush-fire war into a full-scale challenge. The escalation had increased, and the suspense was over. Whatever else Ayub Khan and Shastri accomplished last week, they had noisily reopened the question of Kashmir...

Author: /time Magazine | Title: Asia: Ending the Suspense | 9/17/1965 | See Source »

...began after dawn with a thunderous artillery barrage that sent the villagers of Chhamb and Dewa in the southwestern tip of Kashmir scurrying for shelter. As the sun rose higher over the semidesert land-flat, dotted with brush, a low mountain range to the north-Indian troops peered anxiously toward the border. What they saw sent them in a hasty retreat to the mountains: over the arid earth came 70 U.S.built Patton tanks and, in the dust cloud behind the lumbering giants, a full brigade of Pakistani infantrymen...

Author: /time Magazine | Title: Kashmir: A Matter of Honor | 9/10/1965 | See Source »

...year-old Hassam arrived in Paris. He had served an apprenticeship to a Boston wood engraver, then worked as an illustrator for Harper's, Scribner's and Century magazines. As a current retrospective exhibition at Boston's Museum of Fine Arts shows (see opposite page), his brush was already sensing moods of light and time of day. He was far removed from the established neoclassical Parisian academicians, whose plump-fleshed vignettes of rapine, bustle, moments of battle and historical panoramas were the fine art of the day. But his tone still smacked of old-masterish umber...

Author: /time Magazine | Title: Painting: Muley the Pragmatist | 9/3/1965 | See Source »

Stubborn Gentility. At the Académic Julian, with its ateliers crowded by easels and nudes, the young Yankee drank in the French artists' sense of professionalism. He also suffered from a nonacademic thirst for painting nature directly, out of doors. Soon he was outside, capturing with rapid brush strokes the luminous sparkle of Paris streets after quick cloudbursts. Detail dropped out. Against an overcast, his clusters of black umbrellas suggested swollen, devilish halos. Unlike Sargent, Whistler or Mary Cassatt before him, Hassam returned to the U.S. after three years in France. He settled in New York, rendering...

Author: /time Magazine | Title: Painting: Muley the Pragmatist | 9/3/1965 | See Source »

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