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Army. The 870,000-man Army could not take much of a cut if it was to keep any brush-fire or full-scale war capability. The Army will probably get $9.5 billion, about the same as last year, will make up for inflation by cutting back on already-lagging modernization, e.g., replacing the World War II M-1 rifle with the more up-to-date...

Author: /time Magazine | Title: DEFENSE: Budget Blues | 11/9/1959 | See Source »

...issue-national defense-Symington has made it abundantly clear where he stands. He stands for more: more air defense, more brush-fire war strength, more civil defense, more missiles. In his first Senate floor speech, in June 1953, he assailed Republican plans to trim airpower, charged that the Administration was apparently planning to use a "firmly balanced budget" as its weapon in case of Soviet air attack. Since then, he has remained Capitol Hill's most outspoken critic of Eisenhower defense policies, and most persistent warner that the U.S. was dangerously underestimating Soviet military and technological strength...

Author: /time Magazine | Title: DEMOCRATS: Everybody's No. 2 | 11/9/1959 | See Source »

...most fashionable portraitist now active is René Bouché (rhymes with touché). He may also be the best. Last week at Manhattan's Alexander Iolas Gallery, Bouché had on view a brilliant display of what his flickering, sweet-and-sour brush can do. Recent subjects: Truman Capote, Isak Dinesen, Anita Loos, Elsa Maxwell, Mrs. William Paley, the Duchess of Windsor, Lady Astor, the Duchess of Argyll and Alexander Calder...

Author: /time Magazine | Title: Art: The Sparrow | 11/9/1959 | See Source »

...Francisco figure painters, most conspicuous of whom is Richard Diebenkorn (TIME color, March 17, 1958). Park, 48, who sold 14 canvases at prices from $500 to $2,000 in a one-man show at Manhattan's Staempfli Gallery last month, still keeps the thick colors, fat brush strokes and overall concern with surface that marks the abstract expressionists, but he frankly welcomes figures back into art. "Before," he confesses, "I felt like a critic while I was painting, not a painter. Besides, I like bodies...

Author: /time Magazine | Title: Art: THE IMAGE AND THE VOID | 11/9/1959 | See Source »

...story begins south of the border on March 8, 1916 during the expedition against Pancho Villa. Mild, middle-aged Hero Cooper is a major in the U.S. Cavalry who at his first brush with the enemy "yellows out" and hides in a ditch while his men fight and die. For the sake of Cooper's father, a famous name in the Cavalry, the C.O. conceals the son's disgrace, assigns him to special duty as an awards officer. The coward, by a truly profound stroke of irony, is set up as the judge of what courage...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 2, 1959 | 11/2/1959 | See Source »

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