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Word: brush (lookup in dictionary) (lookup stats)
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...responses to the survey will be kept on file so that second-year students, before their interviews, can brush up on the social policies of various companies...

Author: By Samuel Z. Goldhaber, | Title: B-School Will Poll Firms On Their Social Policies | 1/12/1970 | See Source »

Astroflash, a New York computer programmed for astrological horoscopes, issued its forecasts for 1970. Richard Nixon will face-and win-a conflict with "a father-figure, some person of authority." Mao Tse-tung is warned to "beware of unleashing vital forces you might have trouble controlling." After an unsuccessful brush with passion, Gamal Abdel Nasser will "see a dream come true. You will assert yourself, push forward and conquer." No word on Israel's Golda Meir...

Author: /time Magazine | Title: People: Jan. 12, 1970 | 1/12/1970 | See Source »

Even in his own day, Bruegel must have been considered a superb technician, capable of representing anything. Foreground details exist down to the last bramble on a bush, while in the distance a minuscule brush stroke may distinctly show a man walking or working underneath a tree. Bruegel began with ships' timbers of seasoned oak. He set the planks edge to edge, smoothed them, and then brushed on a white gesso base. He drew his composition on the gesso in gray chalk. That done, he would start painting in egg tempera, thinly and swiftly. His first layers of color...

Author: /time Magazine | Title: Art: Man for All Seasons: A Bruegel Calendar | 1/12/1970 | See Source »

Concentrating on sweeping brush strokes, Willem de Kooning also surrenders his style to the specific manner of applying paint to canvas. Pollock, de Kooning and Hans Hoffman evoke feeling purely through the motion of paint, creating some of the most beautiful works in the exhibition. The immediate texture of paint brings action to the surface of the canvas, while space is suggested by particularly dense areas...

Author: By Cyntiha Saltzman, | Title: At the Met New York Painting and Sculpture 1940-1970 at the New York Metropolitan Museum of Art until February 1. | 12/11/1969 | See Source »

...shapes of Pop that every figure you come across prints its plaintive face on your mind. Hollowness emanating like artificial sunlight from the doll-like people-the works of Hopper stand out from among the abstract pieces with haunting truthfulness. The only lyrical references to humanity emerge from the brush strokes of De Kooning and Kline-figures of paint both suggested and dissolved by a network of strokes. But the viewer of the vast rooms of abstraction feels the constant stares of the paintings reaching beyond their frames, asking the thought of the mind to comprehend their nature. Standing before...

Author: By Cyntiha Saltzman, | Title: At the Met New York Painting and Sculpture 1940-1970 at the New York Metropolitan Museum of Art until February 1. | 12/11/1969 | See Source »

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