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That may be something of an understatement. Allen won the preferential poll by such a wide margin (688 to 381 for Cronkite) that the Class Committee felt compelled to brush aside its reservations and abide by the ballot. Generally, one Committee member confided, "most of the idiots got the votes." So much for the democratic process...

Author: By Robert Decherd, | Title: Play It Again, Sam | 3/13/1973 | See Source »

...hints at a kind of fatal demystification to which modern methods of working are particularly subject. The process of painting no longer seems like that of an artist creating from sheer, inner self. With Pollock there came the negation of the easel and, for the most part, the brush. De Kooning spent almost as much time scraping rejected versions of his Women off the canvas as painting them onto it. Here, Larry Poons--who looks like a football lineman but, the film tells us, actually began as a part-time short order cook--is shown completing a canvas onto which...

Author: By Phil Patton, | Title: Painters Talking | 3/8/1973 | See Source »

...discussing censorship, perhaps the most important task is to brush away some misunderstandings that have gradually encrusted the topic in recent years. First and foremost among these is the notion that "freedom is indivisible"; that censorship of art on grounds of morality or taste will necessarily "lead" to political censorship and suppression as well...

Author: By Jeffrey Bell, | Title: The Case for Censorship | 3/6/1973 | See Source »

...pencil, laid them over the textured surface, and scribbled away -as many a child has done over a penny on many a boring day. Allied to this was Ernst's use of paint sponged and knifed on a canvas, with the images it suggested later sharpened with a brush. Figure-Mythological Woman was produced in just such...

Author: /time Magazine | Title: Art: The Inexhaustible Max | 3/5/1973 | See Source »

...Theater Center, then, in the basement of the Old West Church where the stage seems to merge with the seating arrangements, the intimacy is a success. There is a special element in this play that cries out for empathy, and it is fitting that the actors brush the knees of those sitting in the front row. The Chairs, which was first produced in 1952--a few months before Beckett's Waiting for Godot--depends upon this kind of closeness because there is a dream audience in the action of the play. People are assembled to hear a message...

Author: By Richard Turner, | Title: To the Lighthouse | 2/24/1973 | See Source »

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