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Because you see, the other night, I saw "Unknown White Male," the remarkably incisive documentary debut by British director Rupert Murray concerning his friend Doug Bruce who suffers total amnesia on Coney Island. And his amnesia is "total" in every sense of the word. While he retains most of his so-called semantic memory (his knowledge of language and places), he can’t remember his job, home address, birth name, family members, or any aspect of his past life...

Author: By Kyle L. K. Mcauley, CONTRIBUTING WRITER | Title: Unknown White Male | 3/23/2006 | See Source »

...Bruce Springsteen? Simply put, the greatest artist since Rembrandt...

Author: By Jonathan Lehman, CRIMSON STAFF WRITER | Title: Harvard's Band Gets a Vote of Confidence | 3/16/2006 | See Source »

...able to attract Nashville-based singer-songwriter Colin Linden to produce her second album, The Way It Feels. (Her first was self-produced, self-financed and released from her hometown in Gatineau, Quebec.) Linden plays guitar on most of the songs, and there are many other guest appearances, including Bruce Cockburn, John Hiatt and Daniel Lanois. What drew such a constellation of stars to such a young singer? While Linden's influence certainly helped, Potvin's range of talents was also clearly a draw. She sings powerful and sexy covers of blues classics like Joe Tex's I Want...

Author: /time Magazine | Title: TIME Canada Arts: Pick of the Week | 3/16/2006 | See Source »

...light-saber epic changed Lucas too. A graduate of the USC film school who also felt a kinship with Bruce Conner, Scott Bartlett and other members of San Francisco?s vital avant-garde scene, he had made two features before Star Wars. In 1971 he hatched the stainless-steel-cool, THX138 -a project received by its sponsors at Warner Bros. with so much bafflement and meddling that it stirred in Lucas a resolve to be a truly independent filmmaker. In 1973 he moved to the middle with American Graffiti, a feel-good blast of instant-nostalgia (it re-imagined...

Author: /time Magazine | Title: A Conversation with George Lucas | 3/14/2006 | See Source »

...experimental side of things, the experiment in form, happened in the 20s with Eisenstein and the other Russians did a lot of experimenting. In the 60s, you did get a lot of experimentation, especially here in San Francisco with Bruce Connor and all those guys. But it was too far out of the mainstream. And in the end the foreign film industries wanted to do what America was doing. They wanted to have their movies seen all over the world, they wanted audiences to love them. And to do that, you can?t be too experimental, because most people aren...

Author: /time Magazine | Title: A Conversation with George Lucas | 3/14/2006 | See Source »

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