Word: browning
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Dates: during 2000-2000
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...experience of being an Everyman - a decent, caring person in a hostile world - was essential to Charlie Brown's character, as it was to Charles Schulz's. We recognized ourselves in him - in his doomed ballgames, his deep awareness of death, his stoicism in the face of life's disasters - because he was willing to admit that just to keep on being Charlie Brown was an exhausting and painful process. "You don't know what it's like to be a barber's son," Charlie Brown tells Schroeder. He remembers how it felt to see tears running down his father...
...hard to remember now, when Snoopy and Charlie Brown dominate the blimps at golf tournaments instead of the comics in Sunday papers, that once upon a time Schulz's strip was the fault-line of a cultural earthquake. Garry Trudeau, creator of "Doonesbury," who came of age as a comic strip artist under Schulz's influence, thought of it as "the first Beat strip." Edgy, unpredictable, ahead of its time, "Peanuts" "vibrated with '50s alienation," Trudeau recalled. "Everything about it was different...
...Peanuts" gang was appealing but also strange. Were they children or adults? Or some kind of hybrid? In their early years, the characters were volatile, combustible. They were angry. "How I hate him!" was the very first punch line in "Peanuts." Charlie Brown and his friends could be, as the cartoonist Al Capp said, "mean little bastards, eager to hurt each other." In "Peanuts," there was always the chance that the rage of one character would suddenly bowl over another, literally spinning the victim backward and out of frame. Coming home to relax, Charlie Brown sits down to a radio...
...hand, the action in "Peanuts" conveyed a very American sense that things could be changed, or at least modified, by sudden violence. By getting good and mad you could resolve things. But, at the same time, Charlie Brown reminded people, as no other cartoon character had, of what it was to be vulnerable, to be human...
...counterculture of the '60s; the Grateful Dead's defiantly grubby organist, Ron McKernan, was nicknamed Pig Pen; another San Francisco rock band that formed in 1966 called itself Sopwith Camel. As American soldiers stenciled Snoopy onto their helmets and the Apollo 10 astronauts christened their command module Charlie Brown and their lunar landing vehicle Snoopy, Schulz left his imprimatur on the Cold War's highest and lowest moments - the race to put a man on the moon and the war in Vietnam...