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...sputtering battalion of Oliver Super 55s, McCormick Farmalls and Minneapolis Molines--the stars of the Clinton County Corn Festival's 1997 parade. Families line the sidewalks, children wave to the farmers as they pass, but after 20 minutes Kathy Wiley has seen enough. A sylphlike executive secretary at Warner Bros. in Burbank, Calif., Wiley, 31, switches off her videocamera and wrinkles her nose at her husband Jim, who is busy snapping photos...
...June, Jim quit his job as a manager at Warner Bros. and took a position in Wilmington (pop. 13,000) with Technicolor's fast-growing film-distribution unit, one of many cutting-edge firms relocating to small-town America. He is elated at the move, but Kathy, born and raised in the San Fernando Valley, isn't so sure. Still working at Warner Bros. and settling affairs in Burbank, she came to Wilmington for the first time a week before the parade, wearing a fixed smile and a dazed, where-am-I? stare. The couple spent the week house hunting...
...other studio heads, who can be stirred to animation animus when they shiver in the shadow of the cartoon colossus. "We're rooting for Anastasia," says Bob Daly, Warner Bros. and Warner Music Group chairman and co-CEO. "It would be great for the entire industry if a non-Disney animated film became a real...
Birthright? Well, yes. For 60 years, since its release of the cinema's first cartoon feature, Snow White and the Seven Dwarfs, Disney has been the brand name for animation. Its chief rivals in the '40s and '50s, Warner Bros. and MGM, which were besting Disney in the quality and appeal of their animated shorts, never produced a feature-length cartoon. Only in the mid-'80s, when the studio taken over by Eisner and Jeffrey Katzenberg had yet to hint at a renaissance, did Disney lose its animation pre-eminence. An American Tail, produced in 1986 by Steven Spielberg...
Since 1990, Warner Bros. and Spielberg's Amblin have collaborated on the small-screen Tiny Toon Adventures. Ah, TV, where the real money is, and where Paramount went for its 1996 hit, Beavis and Butt-head Do America, which grossed (heh heh, he said "grossed") a robust $63 million. (Next up for Paramount: a Rugrats feature.) "A movie can't compare financially with a successful series like The Simpsons on TV," says Fox's Mechanic. Says Peter Chernin, president of Fox's parent News Corp.: "We should have done a Simpsons movie five years ago." Simpsons creator Matt Groening...