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Many felt that the beneficiary of this change would be volatile Bronx Congressman Mario Biaggi. However, the most decorated policeman in America locked horns in a tooth-and-nail battle with the baddest hombre of them all, the media, and came out looking like a rookie. For weeks, Biaggi kept insisting that he hadn't taken the Fifth Amendment in front of a grand jury. When the testimony was released and it showed that he had indeed taken not only the Fifth but entire Bill of Rights, his campaign machinery stopped functioning...

Author: By Douglas E. Schoen, | Title: Which Way the Grand Concourse | 5/25/1973 | See Source »

Following the maxim that when a guy is down you step on him. The New York Times immediately went to work on Biaggi. First they revealed that the Bronx District Attorney had uncovered some undisclosed "new evidence" in a shooting Biaggi committed 14 years ago when he was a policeman...

Author: By Douglas E. Schoen, | Title: Which Way the Grand Concourse | 5/25/1973 | See Source »

...Stottlemyre went the distance and pitched the Bronx Bombers to a 6-2 win over the Boston Red Sox at Yankee Stadium yesterday. New York got all of its runs in the fourth inning as hurler John Curtis was a victim of his own wildness and Bosox errors. It was the first time the Yankees have beaten the Red Sox in five tries this season...

Author: NO WRITER ATTRIBUTED | Title: YANKEES TROUNCE SOX | 4/16/1973 | See Source »

...Ryan, is a WASP lawyer on separation leave from 1) Omaha and 2) his wife. Ken Howard, who plays this role, bears an uncanny physical resemblance to New York Mayor John Vliet Lindsay. The heroine, Gittel Mosca (Michele Lee), is an artsy Jewish girl on the lam from The Bronx to Greenwich Village. She is spunky and sassy, but inwardly scared. Out of mutual need, the pair promptly share bedded bliss until sense collides with sensuality...

Author: /time Magazine | Title: The Theater: Love on Asphalt | 4/2/1973 | See Source »

Playwright Israel Horovitz (The Indian Wants the Bronx, Line, Acrobats) is prolific, ebullient, agile and tenacious. He is a stage animal who has not yet exercised his full territorial imperative. One of Horovitz's problems is that his characters are a shade too volatile and voluble-a playgoer cannot easily enter the heart of a babbling dervish. Another Horovitz problem: a sustained narrative line. He tends to interrupt one story in order to tell another. In Dr. Hero, he is somewhat luckier, since the chronicle is dictated by nature- birth, adolescence, love, marriage, a job, old age, death...

Author: /time Magazine | Title: The Theater: Babbling Dervish | 4/2/1973 | See Source »

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