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Word: broadway (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...make this ambitious tragedy, producers took Maxwell Anderson's Broadway success, Elizabeth the Queen, had scripters tack on a new beginning. Knowing she acts nothing so well as a neurotic tantrum, they cast Bette Davis as the Queen, pulchritudinous Errol Flynn as Essex. Director Michael Curtiz was retained to pile on the pageantry. The result is a sumptuously Technicolored spectacle with some lyrically lovely scenes (hawk-flying), some eerie ones (Irish bogs...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 13, 1939 | 11/13/1939 | See Source »

When Margin for Error was having its pre-Broadway tryout in Washington, the German Embassy obligingly gave it free publicity by protesting to Secretary Hull that the play was "derogatory" to the Reich. But, though the Nazi Consul is hardly a Chevalier Bayard, and Hitlerism is scarcely recommended to U. S. audiences, Margin for Error is much less propaganda than entertainment. At its best it is both: somebody asks, "What would Hitler say if he found out that his mother was Jewish?", is answered, "He would say he's Jesus...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Nov. 13, 1939 | 11/13/1939 | See Source »

...dancing of Don Loper and Maxine Barrat provides dynamic climaxes for several of the sequences. "All the Things You Are" is probably the standout among the ever-original and entrancing Kern tunes that seem destined to play an obligate for this gay company for a good many Broadway weeks...

Author: By C. C. P., | Title: The Playgoer | 11/7/1939 | See Source »

...weeks Broadway has had a dazed look in its eyes, a toothy grin on its face, and its itching fingers crossed. For, week by week, the line in front of its box offices grew longer and longer. Broadway was frightened to look for reasons, for fear of jinxing itself. But plausible reasons there were...

Author: /time Magazine | Title: The Theatre: Gold Rush | 11/6/1939 | See Source »

...passing from Broadway to Hollywood, On Your Toes has suffered a see change. Even Slaughter on Tenth Avenue, a high point of the original version, has no more bang than the pop-pistol percussion with which the orchestra burlesques its pantomime killings. Alan Hale, Frank McHugh, Leonid Kinskey fling flat gags around with as much nervous energy as if they were hand grenades, but they never go off. Typical duds: "We are waiting for Levsky"; "Aha! mutiny on the ballet...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 30, 1939 | 10/30/1939 | See Source »

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