Word: brillo
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...most ironic fate of all befell Brillo-bearded Jerry Rubin, 30, a former Berkeley free-speecher and now a yippie leader. To protect himself from police strong-arm tactics, Rubin hired a husky, sledge-fisted Chicagoan known as "Big Bob Lavin," whose beard and bellicosity were matched by his ability at bottle-throwing in confrontations with the cops. Big Bob was gassed by the police, fought them valiantly, but was finally clubbed into submission-carrying with him into jail Rubin's tactical diary. Only then was it revealed that Big Bob was really an undercover cop, Robert Pierson...
...appearance is true to his reputation as a brawler. Short, thick-chested, with a graying mass of Brillo for hair, he looks like an aging welter-weight. He throws sentences like punches, clipped, hard, sometimes below the belt--not surprising for a writer who churned out 20,000 words about a one-round Liston-Patterson fight and who has himself gone ten rounds with Jose Torres. Yet when others use boxing metaphors, he winces, demanding a better performance; the image, he implies, is his own thing, and indeed, when he cups his hands, leans forward, and drops one like "Maybe...
...blinding dazzle of stripes; canvases that are cantilevered from the wall right over the living-room sofa; gadgets that jiggle, wiggle, writhe and spin. And, though it is past its peak, there is pop: an assemblage in which a real lawnmower leans against a painted canvas; Brillo boxes designed to look exactly like Brillo boxes; cartoons blown up to mural size, complete with dialogue balloons and lithographic dots; old bits of crumpled automobiles presented as sculpture; an old Savarin coffee can containing 18 brushes in turpentine and frozen in ineffable permanency. Sometimes the subjects are erotic. Edward Kienholz...
This theory of art as an object turns every object into potential art. As one philosopher, Columbia Professor Arthur C. Danto, admits: "What in the end makes Rauschenberg's real beds streaked with paint and Warhol's Brillo boxes art is the theory. Without the theory, one is unlikely to see them as art." This does not satisfy all the critics. Says the Observer's Nigel Gosling: "Take a table and put it into a gallery, then it's art. But take eight of them and put them into a gallery, then...
...Andy Warhol has no such frame or illusion of space, and its subject matter comes directly out of the viewer's immediate environment. Warhol's subjects are Brillo boxes, movie queens, and the obvious objects of everyday life. His art denies the traditional aesthetic illusion...