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...great writers before him, has begun to fashion his own living universe. It is a universe which makes us believe--and become intensely aware--that its characters live a life outside of the books. Dunstan Ramsey gives a lecture in The Cunning Man of which we hear not a breath in Fifth Business, narrated by Ramsey and about his life. This gives us the startling sensation that there is a universe behind the books, that Ramsey is a person who distilled his own life into a book, rather than a mere puppet animated only for literature. No living person writing...

Author: By Daniel N. Halpern, | Title: Davies, Cunning As Always | 4/20/1995 | See Source »

...Breath in the Wind...

Author: By Joyelle H. Mcsweeney, | Title: `Breath' Gasping For a Clue: Center Does Not Hold | 4/14/1995 | See Source »

...could call it "experimental," and that's probably what Jordan Valdina, writer and producer of "As Breath in the Wind" intended. But you could also call it incoherent, superficial, and condescending. This play is little more than a string of random special effects and gimmicks, held together only by the consistently earnest performances of the cast...

Author: By Joyelle H. Mcsweeney, | Title: `Breath' Gasping For a Clue: Center Does Not Hold | 4/14/1995 | See Source »

...theater at its most superficial. There is no coherent message or even mood behind Valdina's piece. It's a shame, because the efforts of the actors are obscured within this shallow fluff, as are Valdina's fine talent for dialogue and musical composition. Ultimately, Jordan Valdina's "As Breath in the Wind" is about as satisfying as watching MTV for an hour and a half. Something new happens every minute, and yes, each new effect attempts to be provocative and disturbing, but there's no common vision to unite all the fragments. At the end, little stands...

Author: By Joyelle H. Mcsweeney, | Title: `Breath' Gasping For a Clue: Center Does Not Hold | 4/14/1995 | See Source »

...ultimate urban horror. Anonymous, malevolent packages planted by any of the thousands of subway riders and set to kill huge numbers of passersby indiscriminately. The prospective victims are temporarily captives in a subterranean steel and concrete execution chamber, and they could have died by simply by drawing a breath. The dead would have been selected by sheer chance, depending on petty details like which commuter was on schedule and who had dawdled over breakfast and taken a later train...

Author: /time Magazine | Title: THE PRICE OF FANATICISM | 4/3/1995 | See Source »

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