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...Charles Brackett ’41, 1951, Best Story and Screenplay

Author: NO WRITER ATTRIBUTED | Title: ACADEMIA: THE OSCAR WINNERS OF HARVARD’S PAST | 2/27/2004 | See Source »

...Charles Brackett ’41, 1958, Honorary Award...

Author: NO WRITER ATTRIBUTED | Title: ACADEMIA: THE OSCAR WINNERS OF HARVARD’S PAST | 2/27/2004 | See Source »

...Charles Brackett ’41, 1954, Best Story and Screenplay

Author: NO WRITER ATTRIBUTED | Title: ACADEMIA: THE OSCAR WINNERS OF HARVARD’S PAST | 2/27/2004 | See Source »

...play so well, as Berlusconi and Däubler-Gmelin have learned. So here is a suggestion: If Continental politicos can't think up a suitable retort of their own, why not borrow a rapier from the arsenal of American wit? There's a classic from Congressman Thomas Brackett Reed in the late 19th century, who said of two rivals that they "never open their mouths without subtracting from the sum of human knowledge." If Berlusconi had trotted that one out, he would have heard as many laughs as catcalls, and fine della storia. But Disraeli, Churchill and Reed...

Author: /time Magazine | Title: The Lost Art of the Insult | 7/6/2003 | See Source »

Temperamentally, Wilder was a conservative. As a writer, he partnered with Charles Brackett for 15 films over a dozen years (1938-50) and with I.A.L. Diamond for 12 films over a quarter-century (1957-81). He stayed married to the same woman for more than a half-century. He remained true as well to his mordant muse, both when his movies were acclaimed hits and later, when they tanked at the box office. Fashions changed; he didn't. A Wilder script was always recognizable by its adamantine dazzle, whether in 1931 Berlin (Emil and the Detectives) or 1981 Los Angeles...

Author: /time Magazine | Title: Kings of Comedy | 4/8/2002 | See Source »

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