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...from working with actors he respects, and the rush of hearing a laugh, or a gasp, from an audience lost in the drama he's created. In short, he says, "I'm a people person." Then he laughs. Because he knows how absurd it is for him, the bad boy of American theater, to speak in sunny, New Age banalities. And he knows that anyone familiar with his work probably wouldn't believe him, anyway. After all, he's the guy who wrote The Distance From Here, in which a teenager drowns a baby in a penguin pool; The Shape...

Author: /time Magazine | Title: It's So Good To Be Bad | 5/29/2005 | See Source »

...satisfied "Aha!", audiences were left muttering, "Huh?" In Hidden, a Parisian TV host (Daniel Auteuil), his elegant wife (Juliette Binoche) and attractive son are menaced when ominous videotapes and threatening messages drop through their mail slot. Auteuil's lingering unease over a vindictive act he committed as a boy leads him to suspect his old victim had a hand in the current mischief, but the perpetrator is not directly revealed. In A History of Violence, a mild-mannered guy named Tom (Viggo Mortensen) is shocked to find himself accused of having been a big-city hit man 20 years earlier...

Author: /time Magazine | Title: Like Only Cannes Can | 5/22/2005 | See Source »

...smarter. But it was shown out of competition, thus ineligible for a palm of any color. Cool is the temperature of the standard Cannes film. When a movie forthrightly engages the emotions - as Marco Tullio Giordana's Once You're Born superbly did in its story of a boy lost at sea with a boatload of illegal immigrants - the critical consensus can be loud and derisive. (Literally: the film was booed.) For the fun and frissons that are supposed to be the movies' birthright you had to go back outside, to the lavish parties picturemakers throw for themselves...

Author: /time Magazine | Title: Like Only Cannes Can | 5/22/2005 | See Source »

...minus. "They have a hugely recognizable brand name, thanks to the U.S. Administration," says S. Abdallah Schleifer, director of the Adham Center for Television at the American University in Cairo. Parsons goes so far as to suggest that the English channel could cash in on al-Jazeera's bad-boy rep with viewers who have become cynical about the mainstream media. "In the younger market, al-Jazeera actually carries a lot of street cred," he says. "It is perceived as being slightly antiestablishment, the enfant terrible of broadcasting." In a 4 1/2-min. p.r. video being prepared for potential distributors...

Author: /time Magazine | Title: Live From Qatar | 5/22/2005 | See Source »

...head says Auteuil, Mortensen or Murray - whichever of this trio is in a film that doesn't get another top prize. (The Jury, remember, is discouraged from duplicating.) I might seem long-shot smart to suggest that Matteo Gadola, the boy in Once You're Born, has a chance - because last year's winner in this category was 14-year-old Yuuya Yagira in the Japanese drama Nobody Knows. But that's my heart speaking, not my smart. I think the boy is utterly beguiling. And I know the film doesn't stand a chance. (See below...

Author: /time Magazine | Title: Cannes Diary X: Palmed Off | 5/20/2005 | See Source »

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