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...first word that came to mind when they thought about screwcapped wines. Americans - along with Canadians, Danes and Germans - have been slow to give up the "pop" of their wine-drinking experience. But in other countries, notably the U.K., the acceptance of the screwcap has shot up. "Boy, has it risen," says Paul Medder, project manager at the British market research firm Wine Intelligence. He says that while most people will always have an affinity for cork, if the wineries are shipping something else and supermarkets are stocking it, people will buy it. "When it gets driven by distribution...
...Iran has not done so.) Then, in his speech at the Maryland synagogue in July, Giuliani mocked Democratic candidate Barack Obama for claiming that North Korea was the nation's No. 1 enemy. "North Korea is an enemy. North Korea is dangerous. I mean, I grant that. And boy, we have to be really careful about North Korea," Giuliani said, his voice iced with sarcasm. "But I don't remember North Koreans coming to America and killing...
...archetype, and even a few serious points to make about the adolescent pressure to conform, the glamour of the outcast, and the conflict between authenticity and "cool." Even the old Jim Jacobs-Warren Casey songs have more wit and resonance than I recall - like the simple girl-boy counterpoint in "Summer Love...
...country. While West Germany became a part of the Western defense and economic system and made, in effect, a separate peace with the Western Allies, Bonn's relations with the East bloc remained in a state of suspended hostilities. Bonn was the Soviet Union's chief whipping boy in Europe; the fear of renascent Germany was the most persuasive Russian rationale for the continued presence of Soviet forces throughout Eastern Europe. West Germany's diplomatic claims, which included the right to represent East Germany in international affairs and demands for lands taken over by Poland, only buttressed...
...celebrated icons, Shakur and Notorious B.I.G., embraced the sort of lyrical content that today has opened hip-hop to criticism. And the music companies, under assault from file-sharing and other alternative distribution channels, are hardly in a position to do R&D. "When I first signed to Tommy Boy, [the A&R person] would take us to different shows and to art museums," says Q-Tip. "There was real mentorship. Today that's largely absent, and we see the results in the music and in the aesthetic." That result is a stale product, defined by cable channels like...