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...comfort simply by pressing a button, and declared: "This is really living. Modern homes have nothing on this." Her roommate, Mrs. Helen Sigmund, 26, agreed. Tired for the moment of looking through the plate-glass sliding doors at the shrub-covered hillside above Los Angeles' famed Sunset Boulevard, she simply reached up and pulled a switch. Automatically, yellow cloth curtains rippled across, closing in the room. Said Mrs. Sigmund: "We'll be spoiled rotten by the time they take us home...

Author: /time Magazine | Title: Medicine: Push-Button Hospital | 6/29/1953 | See Source »

Unburdened with any particular sense of the realistic or humane, Stalag 17 is a heartless jape that manages to be both lively and amusing. The sardonic talents of Producer-Director-Co-Scenarist Billy (Sunset Boulevard) Wilder are well tuned to these rather ghoulish goings on. Taking the action out of the barrack confines and into the barbed-wire compound at intervals, he has made a fluent film of the play. He has also got crisp characterizations from his cast. William Holden gives one of his quietly competent performances as a cynical G.I. Otto Preminger and Sig Ruman play comedy Nazis...

Author: /time Magazine | Title: Cinema: The New Pictures, may 18, 1953 | 5/18/1953 | See Source »

...darkness fell, they clotted along Atlantic Boulevard near the ocean, blocking traffic, emitting their distinctive cries, and sniffing the heady air of freedom. Dawn-and every subsequent dawn-brought proof that they had not been idle. Greek letters appeared on the municipal water tower, coconuts crashed through windows, a dead shark materialized in the Horizon Hotel's swimming pool, and two students were pinched for swimming in the buff. At 1 :30 on Easter morning a car driven by a boy from Ohio careened into the wrong lane and hit a girl from Missouri and a boy from Delaware...

Author: /time Magazine | Title: National Affairs: The Visigoths | 4/20/1953 | See Source »

When the Academy of Motion Picture Arts and Sciences meets at the Pantages Theatre tomorrow, it will-if running to form--abandon scientific selection and vote along non-artistic lines. Two years ago, to skirt a decision between All About Eve and Sunset Boulevard, the Academy chose Born Yesterday. And last year An American in Paris became the darkhorse victor over A Streetcar Named Desire, A Place in the Sun, and Death of a Salesman. Gene Kelly's technicolor crepe suzette was a fine musical comedy--it was also inferior to the other three. Also last year unpopular Marlon Brando...

Author: By Robert J. Schoenberg, | Title: The Popularity Contest | 3/18/1953 | See Source »

When he was a 13-year-old schoolboy, a tousled Greek youngster named Nicolas Hadgikyriaco saw his first "modern" painting-a tortured Matisse street scene-in a Paris gallery. "I was terribly shocked," he remembers. "I was as shocked as if I saw a woman walking on the Boulevard de la Madeleine stripped naked." Young Nicolas soon got over his astonishment at the new art. He began to paint himself, grew up to become a pupil of the modern school and, eventually, Greece's best living painter. Last week he was in London giving the city its first good...

Author: /time Magazine | Title: Art: Modern Greek | 3/9/1953 | See Source »

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