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Word: botticellis (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...sets before you a sparsely documented man of whom enough will never be known: a devout religious painter who lived through a time of doctrinal crisis in the church, which left visible marks on his already self-reproachful and even morbid personality; a link between the exaggerated graces of Botticelli (who died when Lotto was around 30) and the learned artificialities of Mannerism; an Italian who saw the point of Netherlandish art and Hieronymus Bosch along with Germans like Altdorfer and, especially, Durer, not long after Durer himself was being changed by Venice...

Author: /time Magazine | Title: Art: An Enchanting Strangeness | 2/2/1998 | See Source »

SISTER WENDY Americans love their nuns--singing nuns, flying nuns, even television nuns who discuss sex and Botticelli...

Author: /time Magazine | Title: Notebook: Dec. 29, 1997 | 12/29/1997 | See Source »

...Goodmans tracked another painting, Portrait of a Young Man in a Red Cap, a canvas attributed to Botticelli, to New York, where it was sold by Sotheby's for $690,000 on Jan. 30, even though Kline says he had earlier informed Sotheby's, in writing, of the family's claim to the painting. Sotheby's later helped arrange a six-figure confidential settlement between the Italian seller of the work and the Goodmans, but got to keep its commission of more than $100,000 on the original sale. "We sell thousands of works of art every year and check...

Author: /time Magazine | Title: ART: SAVING THE SPOILS OF WAR | 12/1/1997 | See Source »

...kitsch. Sorry, guys: the Oscars; masters of recycling over at the Gardner, Botticelli for the first time all in one room; Herb Ritts; "Cantata 2000" (well, you either loved it or hated...

Author: NO WRITER ATTRIBUTED | Title: ARTS YEAR IN REVIEW | 6/5/1997 | See Source »

Only after reading the accompanying texts is one able to recognize that the idealized and softly modeled figures of his earlier career become more agitated and tense in his later work. Again in the text, we are told that the figures gain "a more passionate directness of emotion" in Botticelli's later works--but that again is an idea more supported by the commentary than the artwork itself. Following such a quick lesson in Renaissance art, most visitors come out of the gallery feeling not only overwhelmed by so many facts and so much commentary, but also a bit disillusioned...

Author: By Sebastian A. Bentkowski, | Title: Rearrangement Does Not a Renaissance Make | 2/13/1997 | See Source »

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