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...comic gesture may go over well, but a whole chorus line full makes you turn away. Somewhere in the forest of one-liners, most importantly, there's got to be a story that makes the audience eager to know what happens next. But nobody bothered to tell Andy Borowitz, author and lyricist of No Net, about overkill...

Author: By Robert O. Boorstin, | Title: This Way to the Egress | 3/15/1979 | See Source »

...played too loud to let the lyrics come through, something gets lost in the translation. If you really want to hear the lyrics--or as few of them as the chorus enunciates--don't sit in the balcony. Most of the voices are too weak to carry. Like Borowitz, the director and choreographer work on the if-it-works-once-do-it-again-and-again principle and No Net gets boring. Some of the jokes are funny--"When I walk into a suburban kitchen," says the villainess, "all the little magnets fall off the refrigerator"--but one-liners...

Author: By Robert O. Boorstin, | Title: This Way to the Egress | 3/15/1979 | See Source »

...hard to judge actors and actresses when they're saddled with this script. George Hunt as the red-blazered, pink-cheeked, Shecky Greene of a circus owner is familiar with Borowitz's brand of comedy. Too familiar, it seems, because he lets himself slip into boring routines and offers the same grin too many times. Hunt has some real stage presence but his voice is weak and his character confused; you never know whether he's Natalie's seducer or mentor...

Author: By Robert O. Boorstin, | Title: This Way to the Egress | 3/15/1979 | See Source »

...period blues. They are reviving this revue for two performances and "for all the people who didn't get to see it" during the original run. The title is the punch line of a thousand old jokes, but every skit and song in this comedy revue is original. Andy Borowitz (book and lyrics), Fred Barton (music) and their five-person cast hope to recreate the original evenings of "unbridled fun." To create an informal nightclub atmosphere, director Borowitz has kept the staging simple...

Author: By Troy Segal, | Title: Up in Arms and Out to Lunch | 1/11/1979 | See Source »

...Necessarily should appeal to "anyone who loves Broadway, stars, or entertainment," Borowitz says. The revue definitely possesses a theatrical theme; many of its skits deal with songwriters' careers and show biz in general. Nevertheless, much of the material treats more Harvard-oriented subjects from cafeteria employees to Lamont Library checkers. In addition, the show promises to teach the audience a foreign language and contains a newsreel that covers thirty years of American history in five minutes. Borowitz characterizes the revue as a musical Monty Python. "It's not sreious," he says seriously. Tonight and tomorrow night, in the Adams...

Author: By Troy Segal, | Title: Up in Arms and Out to Lunch | 1/11/1979 | See Source »

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