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...score (by Jerry Bock) and urbane lyrics (by Sheldon Harnick), Fiorello! moves from Manhattan's garment district to Washington's Capitol Hill to New York's City Hall at a breathless pace. Crowed the Philadelphia Inquirer: "The new champion!" ¶ A Loss of Roses has Shirley Booth as the listed star, but until the Booth part gets beefed up, the show belongs to Carol (Pajama Game) Haney. Latest of Playwright William Inge's lost characters, Haney's Lila Green is a high-spirited, Class-D showgirl who left home to search for the bright lights...

Author: /time Magazine | Title: BROADWAY: Report from the Road | 11/9/1959 | See Source »

...raison d'etre of the structure can be found in the basement where, for the last month, students have used such devices as tape recorders, master voices, playback mechanisms, and individual earphones for each private booth. This is the language laboratory, Harvard's manifestation of a well-proved theory of languages instruction...

Author: By Claude E. Welch jr., | Title: A 'New' Home for Modern Language Instruction | 11/7/1959 | See Source »

...rain abated slightly for the opening minutes of the first period, Neil Sclater-Booth started a prolonged passing-off drive that carried half the field and ended with wing Ted Frembgen sprinting over for the try. The play, which came after only a minute and a half of action, was unquestionably the finest...

Author: NO WRITER ATTRIBUTED | Title: Rugby Team Tops NYRC | 11/3/1959 | See Source »

...Fremdgen, Langi Kavaliku, Warren Young, Charlie Rowe, and Neil Sclater-Booth will lead the team against New York's combination of Irishmen, Englishmen, Canadians, and Americans. Dick O'Neill, President of the Rugby Club, will be unable to play because of injuries...

Author: NO WRITER ATTRIBUTED | Title: Crimson Rugby Squad To Battle Arch Rivals | 10/31/1959 | See Source »

EXAMINING the status of television in the troubled first weeks of another season, SHOW BUSINESS turns at cover length to the Private Eyes. Two seasons back, the giveaways dominated the air, and last year the major switch was out of the claustrophobic isolation booth into the West's wide-open spaces. This year, while the Westerns still lead the race for ratings and no week passes without at least a couple of "specials," the Private Eye is muscling in as the top gun. As for the cover painting, Artist Boris Chaliapin says the five big Eyes ran gun-first...

Author: /time Magazine | Title: A Letter From The Publisher, Oct. 26, 1959 | 10/26/1959 | See Source »

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