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Dear Ms. Laura Miller—About five and a half years ago today, I read an article of yours in the New York Times Sunday Book Review. Unlike the usual stuff of newspapers, which people read on Monday and by Sunday have moved on from, your article has had unusual staying power. In fact, it has remained with me, it has haunted me, until today—for six years of my total of 20, about a third of my lifetime! But today, today, I am going to exorcise your ghostly grip.You see, in the article that you wrote...

Author: By Sanders I. Bernstein, CRIMSON STAFF WRITER | Title: Five And A Half Years Later, Bernstein Bites Back | 4/10/2009 | See Source »

...related search terms and a column that allows searchers to refine searches based on topic, format, language, and genre. “The Web search arena has been experiencing major changes,” said Robinson of the need for the modifications. “Search engines like Google Book Search and Google Scholar were gaining attention, and we felt that our online catalogue was looking antiquated.” The new system takes advantage of social-networking Web site features, such as options to tag items and write reviews, in an attempt to make the HOLLIS network more user...

Author: By Huma N. Shah, CONTRIBUTING WRITER | Title: HOLLIS Unveils New Search Interface | 4/10/2009 | See Source »

...Adolf Hitler and Benito Mussolini both used graphic designers to promote “the cult of the kid.” In Fascist Italy, youth was idealized: posters which depicted virile young men and women were the cultural advertisements that championed this ideology. In his research for a book on the subject, Heller even came across the Nazi “branding manual,” a handbook with instructions including how to appropriately use the swastika and represent the Jewish people. “Without graphic designers, the Holocaust would not have happened,” Heller said...

Author: By Keshava D. Guha, CONTRIBUTING WRITER | Title: ICA Talk on Social Agency and Design | 4/10/2009 | See Source »

...them without wanting to know more, especially with little prior knowledge of Codrescu’s main focus: the 1920s cultural movement Dada.But further research only confounds points that Codrescu seemingly asserts with authority. The critical blurbs at the beginning of the book—“This book made me feel naked, and that’s one thing I know,” from “Josephine Baker, ‘Bronze Venus,’” for instance—are completely fabricated. Codrescu shows little regard for facts, suggesting a subversive component...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Posthumanity Plagues A Port-Dada Historian | 4/10/2009 | See Source »

McCain, Meghan • imminent receipt by of way too much money to "write" a "book...

Author: /time Magazine | Title: Paul Slansky's Weekly Index of the News | 4/10/2009 | See Source »

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