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...events in the book read like an unstoppable wave of progressivism. Isn't it kind of a fantasy to expect that to actually happen? Well, I tried to unleash almost everything short of detonations [on the main characters]. I mean, the other side really unleashed about everything they had, but you see, they weren't used to being taken on by the big guys or in ways they'd never seen before. They're used to meat-and-potatoes lobbying: put the ads on, get the think tanks going, throw more money in the PACs. Very traditional...
...florid romantic tale, titled The Princess and the President, might have passed largely unnoticed into the annals of pulp fiction were it not for the fact that its author is former President Giscard himself. Although the author remains silent amid the media furor, some newspapers have covered the book as though it might be a thinly disguised kiss-and-tell. (See pictures of the inquest into Princess Diana's death...
...Monday, Sept. 21, French daily Le Figaro ran an entire page about the book ahead of its Oct. 1 release, prompting immediate international coverage. Little wonder: Le Figaro did its best to help jolt public interest by hyping the enigma of whether the obvious similarities between the lovers referred to in the title and Giscard and Diana hinted at a real-life affair between the author and the British princess who died in a car crash in Paris...
...book, the 83-year-old Giscard traces the histoire d'amour between Lambertye and Princess Patricia. During a G-7 meeting at Buckingham Palace in the 1980s, the enchanting royal admits to the Frenchman she has thrown herself into charity work to escape a bleak married life. "Ten days before my marriage, my future husband told me he had a mistress and that he had decided to continue his relationship with her," she confides to her smitten presidential admirer - who drops the statesman act and goes French on her. (Read TIME's perspective on Diana, 10 years after her death...
...such blurring of lines between imagination and reality were not enough, Giscard starts the novel with the epigraph "Promise kept." Myriad press reports of the book have paired that opener with final lines of the tale, in which Patricia tells Lambertye, "You asked my permission to write your story. I grant it to you, but you must make me a promise ..." Such subtlety is usually administered with a sledgehammer...