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...Bolshoi Ballet detailed a 39-star detachment from its massive, 250-strong company to occupy the Metropolitan Opera as soon as the Royal Ballet left. Leading the company was Maya Plisetskaya, a ballerina assoluta of the broad, open Moscow style, which makes the sheer physical act of moving beautifully through space look like a natural way of life. The Russians offered virtuoso, bravo-catching nights of pinpoint turns, rock-steady balances and astronautic high leaps. But there was little to praise in the undernourished bits, snippets and shards of 19th century choreography that provided the vehicles for the Bolshoi...

Author: /time Magazine | Title: The Dance: A Month of Now | 6/7/1968 | See Source »

Memory & Myth. Modern-Dance Pioneer Martha Graham is as far removed from Bolshoi technique as the cloister is from the athletic field. Probing ever deeper into the recesses of the psyche, she is an explorer of the mental interior, reflecting on the roles of memory, meditation, myth and the male-female relationship. She successfully blended them all at the beginning of her 21-week Manhattan season in a new work called A Time of Snow, a somber retelling of the love and tragedy of Heloise and Abelard. The Graham dancers embraced the angular and knotty choreography with the familiar...

Author: /time Magazine | Title: The Dance: A Month of Now | 6/7/1968 | See Source »

...Sack Theatres do plan to expand in other areas. Cheri-type theatres are to be built in Hartford and New York. The Music Hall and the Savoy have already presented performances by the Bolshoi Ballet and the New York Metropoltan Opera. More legitimate theatre will be presented in the large houses in an effort to reduce the high ticket prices currently charged by Boston's smaller legitimate showcases...

Author: By Gregg J. Kilday, | Title: Has Success Spoiled Ben Sack? | 4/29/1968 | See Source »

...When the Bolshoi Opera crossed the Atlantic last year to Montreal's Expo 67, it lugged along 95 choristers, 48 soloists, 99 instrumentalists, 50 dancers, 127 staff assistants, 193 tons of scenery and five tons of Russian edibles. When Rome's Piccolo Teatro Musicale arrived in Manhattan last week, there was a little less to be seen-a handful of singers and players, one slightly overweight conductor, and a compact bundle of slats, screws and canvas that weighed scarcely more than a ton. But when the slats and canvas were screwed together into a miniature Neapolitan theater...

Author: /time Magazine | Title: Music: Pioneering the Old | 4/26/1968 | See Source »

...share the opinion of some ballet lovers who approve of the sexual direction that ballet has taken," added Mrs. Furtseva. "When you see sexual figures on the stage, it is unpleasant." That was too much for Contest Chairman Igor Moiseyev, director of the Bolshoi Ballet and the Moiseyev dance ensemble. "Sex," he bridled, "is not abstract." As newsmen roared their approval, Mrs. Furtseva glared: "I don't entirely agree with you." Coming from an official, those are ominous words in today's Russia...

Author: /time Magazine | Title: Russia: Word of Warning | 4/5/1968 | See Source »

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