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Dreamlike Vision. Desmond yammers and rants his life story from within a railway carriage that shuttles between Dundalk and Dublin. He is queer for trains, and, as the scenes seen from the windows unfold and blur into episodes from his raffish life, it is clear that he is queer about a lot of other things, too-notably small steamboats, chaffinches, a girl called Yvette, and an uncle with the improbable name of Melchizedek. Desmond begins his maniacally brilliant reveries after a gaseous bout at the dentist's, where he acquires new crockery, i.e., false teeth, and a desire...

Author: /time Magazine | Title: Books: For the Singing Birds | 4/20/1959 | See Source »

...commercially possible. Another big obstacle may turn out to be the purebred beef cattle associations. They already object to Prentice's selling a service of semen for $5 (plus a $5 vet's fee for injection). The associations say there is a danger slip-ups could blur purebred lines. The real reason, says Prentice, is that cattlemen want to preserve their market for high stud fees...

Author: /time Magazine | Title: AGRICULTURE: The Pushbutton Cornucopia | 3/9/1959 | See Source »

...lives but for consistency of purpose and character, they might as well be unamed. The texture of the book itself is often dream-like. There are no expanations for remarkable conincidences. Useless characters and irrelevant scenes are introduced, languish, and are forgotten. Time sequence and geography and character all blur into a fantastic, exciting, but extremely confusing montage. The Soviet literary critics rightly complained that there was a failure to distinguish between the March and October revolutions. No matter what the1

Author: By John D. Leonard, | Title: Pasternak's Hero: Man Against the Monoliths | 2/2/1959 | See Source »

...which peasant women tend to talk in profound concepts of duty, etc., when isolated seem corny. But the situation can hold the actors in such a tension of dramatic excellence, and the film as a visual whole exerts such a physical impact, that the inherent melodrama and sentimentality blur into unimportance...

Author: By David M. Farquhar, | Title: The Last Bridge | 11/25/1958 | See Source »

...soared above the stage in spring-legged leaps that seemed to pin them in the air as if frozen by a strobe light, whipped their bodies into angles few Western dancers would even attempt. In Polyanka (The Meadow), files of dancers snaked across the stage in a sinuous blur of speed, hurled past one another in a complex tracery. Partisans had the black-cloaked dancers gliding in roller-smooth imitation of horsemen on patrol; Soccer sent them cartwheeling in comic, splay-fingered lunges for an imaginary ball...

Author: /time Magazine | Title: Music: O.K.! | 5/12/1958 | See Source »

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