Word: blending
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...musicianship would dare to perform against such a busy background. Sam & Dave qualify on both counts. Weaving and dancing, they gyrate through enough acrobatics to wear out more than 100 costumes a year. Their voices-Sam's higher and more cutting, Dave's huskier and darker-toned-blend robustly in mournful, harmonized wails or fervent gospel-style shouts. And their listeners respond like converts at a revival meeting. "Sing it, Sam!" they yell, or "I hear you, Dave; good God, I hear...
...philosophy of the game," Harrison said last month, "is the result of many years both as player and a coach. What I've tried to do is take the things I've enjoyed doing most as a player and blend them with the things that worked best for me--and against me--as a coach...
...combination of revivalist rally and Southern medicine show, Wallace's campaign is a curious blend of the old, old politics and the brand-new. It is certainly livelier than either of the other candidates'. To open a rally, there is "Sam Smith and His American Independent Party Band," a small combo with electrified instruments that churns out Nashville-style country music and leads the audience in a slow rendition of God Bless America. Then on come the Taylor Sisters, Mona and Lisa, two seasoned blondes who harmonize a couple of toe-tapping standards and belt out an anthem entitled...
...nearly finished product. Prince has woven just about all of the show's components into his unifying conception. Ronald Field's joyous choreography is so tightly linked to the staging, that it's hard to believe Prince did not devise the dances himself. Don Walker's orchestrations, a precise blend of Greek and Broadway instrumentation, flood the theatre with frenzies of rhythm, adding as much to the atmosphere as Boris Aronson's simplistically beautiful sets...
...JAZZ CRUSADERS, LIGHTHOUSE '68 (Pacific Jazz). Pride of The Lighthouse in Hermosa Beach, Calif., the Crusaders have plenty to say in this album and plenty of "chops" (technique) to say it with. Their musical message lies in today's mainstream -a blend of hard-rock rhythms, funky chords and uptempo bustling. Wayne Henderson is on trombone, Wilton Felder on tenor sax; the rhythm section includes Joe Sample's piano. They punch out Ooga-Boo-Ga-Loo, move briskly on the winning Native Dancer and the fleeting Impressions. Their Eleanor Rigby is unusually muscular but, oddly enough, moves...