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...spotlight on the problems created by poverty, unemployment, disease, crime, and a fanatic white-supremacist government is not all that Drum gives the 65,000 readers who buy it every month. Its some 40 illustrated pages serve up a blend of Negro and colored (i.e., mixed blood) life, sports, society, sex, scandal and politics that South Africa's non-whites can get in no other magazine. It was started by Publisher Bailey, 33, an ex-R.A.F. combat pilot, who settled down to raise sheep and breed horses after the war. As editor, Bailey picked a white South African...

Author: /time Magazine | Title: The Press: South African Drumbeats | 12/15/1952 | See Source »

...Scratchy resignedly throws away his six-shooter and says farewell once & for all to his glorious gun-toting past. In James Agee's lean adaptation and in some peppery performances, The Bride Comes to Yellow Sky captures much of Crane's pungent idiom, and becomes a spry blend of gun-in-holster and tongue-in-cheek...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 15, 1952 | 12/15/1952 | See Source »

...motive force behind the Schools Committees of the Crimson Key and the nation's Harvard Clubs has been a subtle blend of two strands of chauvenism. The first is local pride, which students bring to College with them and transform into Southerners Clubs and Chicago cliques; the second is Harvard pride, which graduates carry out of Cambridge and store up in great quantities in their local Harvard Clubs...

Author: NO WRITER ATTRIBUTED | Title: Home Town Boys | 12/13/1952 | See Source »

...heady blend of tradition and emotion, the ancient (since 1875) football series between Harvard and Yale has no peer. Once, in a locker room just before The Game, famed Yale Coach Tad Jones told his awe-struck squad, in all seriousness: "Gentlemen, you are about to meet Harvard in a game of football. Never again in your lives will you do anything as important...

Author: /time Magazine | Title: Sport: Rubbing It In | 12/1/1952 | See Source »

...Piper had stayed in Paris, he might have been an abstractionist still. But he and his wife moved to a 17th century farmhouse in a valley near Henley-on-Thames. Gradually, the nature he saw around him drew him off on another track. His new style set out to blend geometric designs with the more amorphous shapes of reality-or, as he once expressed it, "a combination of a crystal and a potato, with neither predominating too much...

Author: /time Magazine | Title: Art: Romantic Realist | 12/1/1952 | See Source »

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