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...wandered into the hell's kitchen of supporting orchestras and electronic accessories, they bring it on home with one last incomparably precise instrumental exposition. Plant gestures toward the return to simple instruments with a wittily languid harmonica part, punctuated by an indolent "Watch out, watch out." Their signature blend of innuendo, vaguely arrogant virtuosity, and exhilarating braggadocio return home with unexpected lightness as the harmonica quietly arrests the song with a sarcastic but still good-natured wince of a glissando. So the album which began with a laugh ends with a smile...

Author: By Chris Rochester, | Title: The Rock Freak Led Zeppelin II | 12/3/1969 | See Source »

Through the years, the Band has conjured up some memorable halftime shows. Usually, the shows are some disproportionate blend of social commentary and smut; consequently, the skits attract much attention...

Author: By Robert Decherd, | Title: The Harvard Band: After Today, What? | 11/22/1969 | See Source »

...album appeared on A and M records entitled The Fantastic Expedition of Dillard and Clark. The jacket featured a hill-billy type on a motorcycle passing a joint to another in a sidecar. That picture is almost a visual description of the music on the inside, a very gentle blend of C and W and rock. Generally the term Country and Western calls up images of excruciatingly sentimental lyrics with a fiddle and banjo contest going on in the background. But the arrangements on Expedition (songs written mostly by the musicians Gene Clark and Doug Dillard) combine the more subtle...

Author: By Jill Curtis, | Title: Through the Morning, Through the Night | 11/17/1969 | See Source »

Christ as the Man of Sorrows displays the same blend of mannered elegance and gory realism. But the triumph of Meister Francke's mature style is seen in the St. Thomas of Canterbury altar piece, painted after 1424 for a group of Hamburg merchants trading with England. The nine panels of this darkly glowing work depict episodes in the life of Thomas à Becket, together with scenes from the Passion of Christ and the life of the Virgin, achieving a peak of dramatic intensity hitherto unrealized in North German painting. In The Martyrdom of St. Thomas, the kneeling archbishop...

Author: /time Magazine | Title: Painting: Germany's First Master | 11/14/1969 | See Source »

...latest, and by no means least impersonation is by James Garner in Marlowe. Bogart is a tough act to follow, and none of the other Marlowes ever matched his blend of soluble morals and incorruptible conscience. Yet of all the Marlowes, Garner is physically closest to the invulnerable knight who could get sapped in the morning and crack a joke and a case by lunchtime...

Author: /time Magazine | Title: Cinema: Philip V | 11/14/1969 | See Source »

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