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With Yale on top, 34-23, a vintage blend of Crimson basketball players produced a second-half surge. The 6 ft-10 in. Beaulieu and forward Mark Hadley consistently collared caroms off the backboard and converted delicate jumpers to pace the freshmen...

Author: By Carl A. Esterhay, | Title: Elis Edge Cagers, 74-69, Beaulieu Leads With 30 | 2/12/1977 | See Source »

...demanded by their very nature new kinds of expression. As progressing years brought sweeping advances in the realm of electronic sound, Bowie's musical scope expanded. The suspension of disbelief required by his futuristic songs was facilitated by the surprise element of sounds unfamiliar to our ears. Bowie's blend of rock and myths bridged the gap beautifully, and contributed to the originality of his sound...

Author: By J.t. Defenderfer, | Title: Is Aladdin Sane? | 2/2/1977 | See Source »

Nonetheless, Felker's weekly Almanac de Gotham lays down standards of aspiration, acceptance and rejection as rigid as any set by Louis Quatorze. Along with genuinely useful "urban survival" features, it gives the insecure a superior feeling of being inside, offering them a blend of fact and fantasy. It portrays an unreal stream-of-consumption world whose Gucci'd, Pucci'd denizens glide between Parke-Bernet (the t is not silent) and La Grenouille (the maitre d's name is Jean), send their children to the Dalton School, winter in St. Maarten or Gstaad, summer...

Author: /time Magazine | Title: The Press: FELKER:'BULLY... BOOR... GENIUS' | 1/17/1977 | See Source »

King Cupcake. It is a great technical achievement (TIME, Oct. 25). It is also an aesthetic mistake, particularly disappointing to those who had seen the movie's highly promising first half at press screenings earlier this year. It was Aristotle's prescription that tragedy should evoke a blend of pity and terror. In Kong the balance is tipped too far toward pity. He's such a nice guy, such a cupcake really, that one never feels that Jessica Lange, playing the light of his life, is in any true danger...

Author: /time Magazine | Title: Cinema: The Greening of Old Kong | 12/27/1976 | See Source »

...mention Wagner. She may be ready for some of that music in five to ten years, although she herself doubts it. For now it is enough that she sings Mozart (Cherubino in Figaro, Dorabella in Cost fan Tutte) with exquisite taste, control and sheen. Or that she can blend the impetuous and the spiritual so deftly as Nina in Thomas Pasatieri's The Seagull, or the childlike and the vulnerable so magically as the heroine of Debussy's Pelleas et Melisande. Starring in Rossini's La Cenerentola with La Scala in Washington, D.C., last September, she displayed...

Author: /time Magazine | Title: Music: Von Stade: Forget the Magic | 12/13/1976 | See Source »

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